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Index Abbott,Berenice,,,,;articles about,–,,,;careerof,– ;andcityplanning,–;andEdward Hopper,–;equipmentof,–, n;andEugèneAtget,–,,, ,,n;exhibitionsof,,,, ,,–,,,;andPhoto League,,,;reputationof,– ,n;subjectsof,.SeealsoChanging NewYork ———,photographby:“EdwardHopper,” Adams,Ansel,,,,–;andAlfred Stieglitz,,–,–;andAmerican photography’ssuperiority,;andAnsel AdamsGallery,–;andaudiencefor photography,,–;careerof,–, –;anddocumentary,–,, –;andEdwardSteichen,–,; exhibitionatAnAmericanPlace,–; exhibitionsof,,,–,,,, ,,;“AnExpositionofMyPhotographic Technique,”;andGroupf., ,,,,,;MakingaPhotograph, ,;andMoMA,–,–;and PaulStrand,–;andphotography’sprofusion ,–;andWalkerEvans,–, –n;onwesternvitality,;andWilliam Mortensen,–.SeealsoGroupf.; APageantofPhotography ———-,photographby:“BoardsandThistles ,SanFrancisco,”,n AfricanAmericans:andCarlVanVechten, –;andEdwardSteichen,–;and MargaretBourke-White,–,,; photographsof,,.SeealsoHarlem Document Agee,James,, Agha,MehemedFehmy,–, amateurphotography:popularityof,–,, ,, AnAmericanExodus(DorotheaLangeandPaul Taylor),–,,, AmericanGuideSeries(WorksProgress 362 Index AdministrationWritersProject),–; FSAphotographsin,–,,n AmericanPhotographs(exhibition)/American Photographs(book)(WalkerEvans),, –;catalog,–;compositionand sequenceof,–,n;FSAin,– ,,,;LincolnKirstein,catalog essayfor,–,–,n;reviews of,–;travelingversionof,–, n Americanphotography:standingof,,–, –,,, AnAmericanPlace(gallery),,,,– Armitage,Merle,,,n artworld,ofphotography:ambitionsof,, ;andaudience,,,–,,, ,–,,–,,;authority in,,,,,,,,, –,–;changesin,,,,, ,,;compositionof,–,,, ;andmuseums,,,–,–, n;pedagogicalactivitiesof,,, –,,,–,–,– Ashjian,Lucy,.SeealsoHarlemDocument Atget,Eugène,–;andAlfredStieglitz,– ;careerof,;asexemplar,,,,; exhibitionsof,,,,,,,, .SeealsoAbbott,Berenice audience,forphotography,,,,,– ;andAnselAdams,–,,–; estheticjudgmentsby,,– Barr,Alfred,,, Beaton,Cecil,,, Becker,Howard, Blumenfeld,Erwin,,– books:photography,,,,–.See alsoAmericanPhotographs;Californiaandthe West;ChangingNewYork;FarmSecurity Administration,HistoricalSection(FSA); Landof theFree;YouHaveSeenTheirFaces Bourdieu,Pierre,– Bourke-White,Margaret,,,,; articlesabout,,;booksby,,– ;anddocumentary,–;anddrought, –;exhibitionsby,,,,,, ,,,,n;industrialphotographs by,,–;Lucemagazinesand, ,,;and“Middletown”(Muncie, Indiana),–;reputationof,–,; workingmethodsof,,–,n. SeealsoYouHaveSeenTheirFaces ———,photographsby:“TheCorkumFamily Library,”;“Flood’sAftermath,” –;“Middletown”series,–; “PhelpsDodgeCorporation”series, Brady,Mathew:asexemplar,,,;exhibitions of,,,,, Brassaï(GyulaHalász),, Bristol,Horace,,,,n Brodovich,Alexey,, Bruehl,Anton,,,, Caldwell,Erskine,,,.SeealsoYou HaveSeenTheirFaces California,isolationof,–,n CaliforniaandtheWest(CharisandEdward Weston),,;autobiographyin,, –;collaborationin,,–,, ;decayin,–;anddocumentary, ,n;filmindustryin,–;and history,–;humanpresencein,–; naturein,–;pastoralismin,–;as roadbook,,–;structureof,–, ;textof,,–,,;themes of,,,–,,–,–;as travelguide,,–,;andwestern mythology,–.SeealsoWeston,Edward ———,photographsin:“AbandonedSoda Works,OwensLake,”;“Albion,”; “Charis,LakeEdiza,”–;“`Chief’ Heggen’sBarn,Salinas,”–;“Cottonwoods ,OwensValley,”–;“DeathValley ,”–;“DonnerLake,”;“Elk,” ;“Embarcadero,SanFrancisco,”; “EveningCloud,Panamints,”;“Ghost Set,Metro-Goldwyn-Mayer,”,– ;“Graveyard,Rhyolite,Nevada,”; “Jerome,Arizona,”;“Juniper,Lake Tenaya”(twophotographs,titlesidentical ),,;“Leadfield,DeathValley,” ;“OldBunkHouse,TwentyMuleTeam Canyon,”;“OwensValley,”–; “Rainbow,OwensValley,”;“Rhyolite, Nevada”(twophotographs,titlesidentical), [18.191.223.123] Project MUSE (2024-04-25 13:06 GMT) 363 Index ,–;“RiversideCounty,”n; “RubberDummies,Metro-GoldwynMayer ,”,–;“TexasSpringCamp Grounds,”,,–n CameraCraft,,–,–, cameramagazines(PopularPhotography,U.S. CameraMagazine),,–,,, n;andartworld,;andaudience,, –;anddocumentary,,,–, –;profilesin,–,–.Seealso history,photographic;U.S.Cameraannuals canon,formationof:andcameraperiodicals, –;andMoMA,–;andAPageant ofPhotography, Carter,Michael,,–.SeealsoHarlem Document Cartier-Bresson,Henri,–, celebrityphotography,–;andEdward Steichen,,– ChangingNewYork(BereniceAbbott),; ambitionsof,–;captionsin,; churchesin,–;communicationsindustries in,–;culturalhistoryin,–, –,n;culturevs.civilizationin, –;ethnicityin,;GreatDepression in,;methodologicalassumptionsof,; NewDealin,–;and“romantic”city, ;skyscrapersin,–;smallbusiness in,–;socialisolationin,;structure of,–;transportationfacilitiesin,. SeealsoAbbott,BereniceTheCity(Lewis Mumford,RalphSteiner,andWillardVan Dyke), ———,photographsin:“BreadStore,”; “BroadwaytotheBattery,”;“Brooklyn Bridge,”–;“BrooklynBridge,with Pier,PennsylvaniaR.R.,”;“Canyon ,BroadwayandExchangePlace,”; “ChickenMarket,”;“CivicRepertory Theater,”;“CountryStoreInterior ,”–;“CourtoftheFirstModel TenementinNewYorkCity,”;“Custom HouseStatuesandNewYorkProduce ExchangeBuilding,”–;“`DailyNews’ Building,”;“DePeysterStatue,”, ;“DowntownSkyport,”–;“`El’ StationInterior,SixthandNinthAvenue Lines,DowntownSide,”;“Façade, AlwynCourt,”;“Ferries,FootofWest rdStreet,”;“FifthAvenue,Nos., ,,”;“FlatironBuilding,”–; “FortiethStreetbetweenSixthandSeventh Avenues,”;“FourthAvenue,No. ,”–;“GasolineStation,”; “GeorgeWashingtonBridge,”;“Grand OperaHouse,”–;“HenryStreet,” ;“HellGateBridge,”–;“Hot DogStand,”;“Lebanon...
