About Bach

Index

211 211 INDEX (Page numbers in bold indicate the entry is the principal topic of discussion.) Abel, Carl Friedrich, 90 Abklatschvorlagen, 111, 114, 115, 117, 118 Addison, Joseph, 186 Agricola, Johann Friedrich, 20, 120, 126, 138 alexandrine, 73 Amsterdam, 90 Anhalt-Cöthen, 18, 23, 35 Appel, Bernhard, 192 Aramaic, 62, 63 Arne, Michael, 183 Arnold, Samuel, 183, 188 Asaph (Capellmeister to King David), 16, 18, 20, 22–26 Bach, Anna Magdalena, 12n10, 87n4, 127 Notebook for Anna Magdalena (1725), 148 Bach, Carl Philipp Emmanuel, 20, 90, 92, 117, 127, 138, 139, 143, 146, 148, 157, 158, 159, 160, 161, 163, 164, 183 on annual Bach family reunions, 18 estate catalog of, 137 first official position, 15 Harpsichord Concerto in A Minor, H 403, 142 on J. S. Bach’s continuo realizations, 126 realization of continuo by, 130 Bach, Johann Bernhard, 26n2, 137–138 Bach, Johann Christian, 163, 164 artistic commitment of, 90 and the Church Symphony, 89–108; see also sinfonia da chiesa collaboration with Abel, 90 conversion to Catholicism, 89 dissemination of works, 89, 90, 93 and the galant style, 91, 97 influence on W. A. Mozart, 90 musical language of, 91 as opera composer, 91 overtures to pasticcio operas, 92, 102 preclassical textures of, 137 Works Alessandro nell’Indie, 91 Catone in Utica, 91 La clemenza di Scipione, 90 Six Symphonies, op. 3, 90 Symphony in C Major (W G24), 93, 100, 102, 103 Symphony in D Major, op. 6, no. 1 (W C18), 93, 96 Symphony in Eb Major, op. 6, no. 3 (W C9), 92, 93 Symphony in Eb Major, op. 6, no. 5 (W C11), 97, 103 Bach, Johann Christoph (Gehren), 3, 9, 10, 11 Bach, Johann Christoph (Ohrdruf), 11, 163 Bach, Johann Christoph Friedrich, 127 Bach, Johann Gottfried Bernhard, 163 Bach, Johann Sebastian annotations to Cavlov Bible, 20–23, 25, 26, 62 Biblical symbolism, 19, 56 and Buxtehude, 11, 12 cantatas circle of fifths in, 48 as composer of, 24, 25, 35–49 “double cycle” of, 52n20 fugue in, 38, 44, 46–48 G-Dorian key signature in, 43, 47 homophonic writing in, 38, 56 movement structure in, 36, 37 ripieno singers in, 46, 47 yearly cycle of, 35 Cantor of St. Thomas, 16, 18, 19, 35, 36, 46, 49, 135, 160, 202 as Capellmeister in Anhalt-Cöthen, 18, 23 in Leipzig, 16, 18, 19, 125 choral unison, use of, 53–60 da capo structure, use of, 69–72 familiarity with Old Testament, 15–17 Index 212 Bach, Johann Sebastian (continued) geneology of Bach family, 15–17, 18–20, 22 Handexemplare, 157–161 and House of Aaron, 17, 24–26 instrumental ritornello, use of, 53, 57, 58, 59, 73, 146 intentions regarding the contents and layout of the Art of Fugue, 116–120 marriage to Maria Barbara Bach, 16, 17, 24 notational styles of, 111–120 obituary of, 20 Old Bach Archive, 15, 16 parodied movements in works, 58, 59, 69–76 passion text, use of, 61, 62 realizations of figured bass, 123–131 repertoire of the Leipzig Collegium Musicum, 135–157 request to Council of St. Blasius Church in Mühlhausen, 21 rhythmic assimilation, use of, 145 as Royal Court Composer, application for title in Dresden, 23 scoring of works, 24 “Short But Most Necessary Draft,” 21 written-out continuo passages in works of, 129–131 Works Ascension Oratorio, BWV 11, 69 Art of Fugue, BWV 1080, 111–123 B-Minor Mass, BWV 232, 58, 69–76, 140 Brandenburg Concerto No. 2, BWV 1047a (early version), 129 Brandenburg Concerto No. 4, BWV 1049, 129 Brandenburg Concerto No. 5, BWV 1050, 146 Canon per Augmentationem in Contrario moto, BWV 1080/14, 114 Cantata 21, Ich hatte viel Bekümmernis, 35, 36, 38, 41, 43, 44, 46, 47, 48, 49, 192 Cantata 22, Jesus nahm zu sich die Zwölfe, 36, 46 Cantata 23, Du wahrer Gott und Davids Sohn, 37, 46 Cantata 24, Ein ungefährt Gemüte, 35, 36, 37, 38, 41, 43, 44, 45, 46, 47, 48, 49 Cantata 26, Ach wie flüchtig, ach wie nichtig, 60 Cantata 65, Sie werden aus Saba alle kommen, 59 Cantata 71, Gott ist mein König, 56 Cantata 75, Die Elenden sollen essen, 36, 46 Cantata 76, Die Himmel erzählen die Ehre Gottes, 36, 46 Cantata 80, Ein feste Burg ist unser Gott, 60 Cantata 82, Ich habe genug, 148 Cantata 149, Man singet mit Freuden vom Sieg, 59 Cantata 185, Barmherziges Herze der ewigen Liebe, 35 Cantata 190, Singet dem...