In this Book

  • Moriz Rosenthal in Word and Music: A Legacy of the Nineteenth Century
  • Book
  • Edited and with an Introduction by Mark Mitchell and Allan Evans. Preface by Charles Rosen
  • 2006
  • Published by: Indiana University Press
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summary

As a pianist, Rosenthal was unparalleled: his legato touch came from Chopin through his pupil Mikuli; his awareness of composition was developed by Liszt; his Brahms interpretation shaped by the composer himself; and his ingeniously crafted piano-paraphrases memorialized his friendship with Johann Strauss II. Yet Rosenthal's pianistic abilities were married to a rare intellectual erudition -- a knowledge of literature, history, philology, science, philosophy, and society that few pianists have ever matched, let alone surpassed.

In these striking pieces, we see every facet of Rosenthal: memoirist, social critic, pedagogue, and virtuoso. He could write with gravity and pathos, yet his famous and sometimes devastating wit is legendary. This volume combines Rosenthal's writings with critical assessments of the pianist by such contemporaries as Eduard Hanslick, Edward Prime-Stevenson, and Hugo Wolf. It is rounded out with an illuminating preface by Charles Rosen, perhaps Rosenthal's most renowned pupil; a discography and concertography; and a CD featuring never-before-released Rosenthal recordings.

Table of Contents

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  1. Cover
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xiv
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  1. Acknowledgments
  2. p. xv
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  1. Moriz Rosenthal: A Chronology
  2. pp. xvii-xx
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  1. Introduction
  2. pp. 1-16
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  1. 1. Autobiography
  2. pp. 17-39
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  1. 2. Review of a Concert by M. R .in Vienna
  2. pp. 40-41
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  1. 3. Letter to Lilli Lehmann
  2. pp. 42-43
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  1. 4. Review of a Concert by M. R. in Manchester
  2. p. 44
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  1. 5. Rosenthaliana
  2. pp. 45-48
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  1. 6. The Di
  2. pp. 49-50
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  1. 7. The Bane of Virtuosity (excerpt)
  2. pp. 51-52
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  1. 8. From Music, The Mystery and the Reality
  2. p. 53
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  1. 9. On Liszt’s Don Juan Fantasie
  2. pp. 54-55
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  1. 10. A Stroll with Ferruccio Busoni
  2. pp. 56-57
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  1. 11. Mahleriana
  2. pp. 58-60
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  1. 12. Czar Alexander II
  2. pp. 61-62
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  1. 13. Review of a Concert by M. R.
  2. p. 63
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  1. 14. Letter to the Editor
  2. pp. 64-65
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  1. 15. As Others See Us: H. C. C.’s Response to M. R.’s Letter to the Editor
  2. pp. 66-68
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  1. 16. The Korngold Scandal
  2. pp. 69-71
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  1. 17. From Franz Liszt
  2. pp. 72-73
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  1. 18. The Old and the New School of Piano Playing
  2. pp. 74-77
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  1. 19. Review of a Concert by M. R. [Includes Image Plates]
  2. pp. 78-84
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  1. 20. Letter to Herbert Hughes
  2. pp. 85-89
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  1. 21. Moriz Rosenthal–Emil Sauer: and Modern Pianism
  2. pp. 90-92
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  1. 22. Schumann’s Carnaval
  2. pp. 93-96
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  1. 23. Anton Rubinstein’s Concert in Pressburg
  2. pp. 97-103
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  1. 24. My Memories of Johannes Brahms
  2. pp. 104-106
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  1. 25. Brahmsiana
  2. pp. 107-116
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  1. 26. Brahms and Johann Strauss II
  2. pp. 117-118
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  1. 27. Review of a Concert by M. R.
  2. pp. 119-120
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  1. 28. Letter to the Editor
  2. pp. 121-123
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  1. 29. Review of a Concert by M. R.
  2. p. 124
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  1. 30. From Aphorisms
  2. pp. 125-126
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  1. 31. On the Question of Applause
  2. pp. 127-128
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  1. Appendix A. Rosenthal as Humorist
  2. pp. 129-132
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  1. Appendix B. Annotated Concertography
  2. pp. 133-148
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  1. Appendix C. Discography
  2. pp. 149-155
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  1. Notes
  2. pp. 157-175
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  1. Index
  2. pp. 177-184
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