Beautiful Chaos: Chaos Theory and Metachaotics in Recent American Fiction

Explores the way chaos theory is incorporated in the work of such writers as Toni Morrison, Thomas Pynchon, John Barth, Don DeLillo, and Michael Crichton. Beautiful Chaos is the first book to examine contemporary American fiction through the lens of chaos theory. The book focuses on recent works of fiction by John Barth, Michael Crichton, Don DeLillo, Michael Dorris, Cormac McCarthy, Toni Morrison, Thomas Pynchon, Carol Shields, and Robert Stone, all of whom incorporate aspects of chaos theory in one or more of their novels. They accomplish this through their disruption of conventional linear narrative forms and their use of strategic tropes of chaos and order, but also—and more significantly for an understanding of the interaction of science and fiction—through their self-conscious embrace of the current rhetoric of chaos theory. Since the publication of James Gleick’s Chaos: Making a New Science in 1987, chaos theory has been taken up by a wide variety of literary critics and other scholars of the arts. While considering the relationship between chaos theory and recent American fiction, Beautiful Chaos details basic assumptions about orderly and dynamic systems and the various manifestations of chaos theory in literature, including mimesis, metaphor, model, and metachaotics. It also explains particular features of orderly and dynamic systems, including entropy, bifurcation and turbulence, noise and information, scaling and fractals, iteration, and strange attractors.