Cover

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Title Page

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Copyright

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Table of Contents

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pp. vii-viii

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Introduction

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pp. 1-3

The abilities of Red Steagall the musician, both in performance and songwriting, are generally known. His poetry is not as well known because poetry is, in our age, not as popular as song. That is not to say that he does not have a readership; he has a number of poetry books and is the current Texas Poet Laureate. Readers have noticed his gift ...

The Memories In Grandmother’s Trunk

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pp. 5-6

The Code of the West Hasn’t Changed

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pp. 7-8

A Dusty Cotton Field

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pp. 9-10

Bedroll

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pp. 11-12

McCorkle and the Wire

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pp. 13-15

Born to This Land

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pp. 16-17

The Real America

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pp. 18-19

Deacon and the Dun

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pp. 20-21

The Last Buffalo

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pp. 22-23

Climbin’ Out the Other Side

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pp. 24-26

My Best Friend

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p. 27

The Fence That Me and Shorty Built

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pp. 28-31

Bright Comanche Moon

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pp. 32-34

The Weather

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pp. 35-36

Ride for the Brand

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pp. 37-39

The Song of the West

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pp. 40-41

The Picture

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pp. 42-43

The Maverick Way

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pp. 44-45

The Shank of the Evenin’

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pp. 46-47

All They’ve Changed is the Guard at Fort Sill

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pp. 48-49

The Bell on Old Blue

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pp. 51-51

Boley

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pp. 52-54

The Visalia

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pp. 55-57

For J.J.

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pp. 58-60

The Blue Roan and the Kid

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pp. 61-63

When Joseph Was Chief

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pp. 64-65

To An Old Friend

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pp. 66-68

Hats Off to the Cowboy

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p. 69

Sourdough, Beefsteak, and Beans

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pp. 70-72

We’re Hangin’ Him Tonite

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p. 73

Paw-Paw

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pp. 74-76

The Wagon Tongue

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pp. 77-78

Acknowledgments

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pp. 80-82