Cover

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Frontmatter

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Contents

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p. vii

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Acknowledgments

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p. ix

Many people have contributed to this book. If I had to name them all, the list would be embarrassingly long. My gratitude first goes to Florida Atlantic University for a research grant and two teaching release awards. Without this institutional support, I would not have finished this book. I thank my students in the graduate seminar Food and Identities in Asian American Literature (Fall ...

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Introduction

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pp. 1-17

During the Chinese Cultural Revolution (1966–1976), hunger dominated my life in Baoding, Hebei Province, China, as it did millions of others. Only a small elite had access to protein, and their currency was power. Unlike abject starvation, the hunger I experienced permitted fantasies, such as meats, sweets, and fancy pastries. My family often sat at the dinner table after a meal of corn ...

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1. Enjoyment and Ethnic Identity in No-No Boy and Obasan

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pp. 18-36

Most ethnic minorities in the United States desire to assert the constitutional “we,” a political identity that entitles them to rights and privileges granted to all American citizens. This constitutional “we” has often competed with the ethnic “we” in American history, with the former always wielding greater political....

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2. Masculinity, Food, and Appetite in Frank Chin's Donald Duk and "The Eat and Run Midnight People"

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pp. 37-61

The name Frank Chin provokes controversy among Asian American readers and scholars, but almost all agree that masculinity has preoccupied his entire literary and critical career. Almost all his writings aim at dismantling the U.S. hegemonic, emasculating representations of Asian American males, even when this agenda must sometimes be carried out at the expense of Asian American women and gay men. Recognizing his homophobic and macho tendencies, I...

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3. Class and Cuisine in David Wong Louie's The Barbarians Are Coming

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pp. 62-93

David Wong Louie’s novel The Barbarians Are Coming (2000) is a culinary event, but one that totters agonizingly between hunger and feast. It is a hunger that no feast can satisfy, and a feast that only accentuates the pangs of hunger. This novel is remarkable in troping food to dramatize the interlocking tensions among race, gender, and class in the psychic development of its protagonist, ...

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4. Diaspora, Transcendentalism, and Ethnic Gastronomy in the Works of Li-Young Lee

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pp. 94-126

Li-Young Lee is an ethnic Chinese without an upbringing in an ancestral culture, without a grounding knowledge of the Chinese language, and without the community of a Chinatown or a suburban Chinese American community. His condition of exile, however, has proved to be immensely productive of emotional intensity and imagination, and his poetics derives largely from his...

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5. Sexuality, Colonialism, and Ethnicity in Monique Truong's The Book of Salt and Mei Ng's Eating Chinese Food Naked

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pp. 127-161

The common thesis in these novels by Monique Truong and Mei Ng reiterates the inextricable involvement of food and sexuality. Both novels delineate via food and sex a desiring subjectivity that is deeply immersed in ethnicity, coloniality, diaspora, class, gender, and space. In The Book of Salt (2003), Truong juxtaposes two cases of diasporic gay existence in Paris in the 1920s and...

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Epilogue

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pp. 162-170

Can you think of any novel or drama that does not mention food, drinks, and eating? Probably very few of you can at all. Admitted that poetry may be less alimentary than fiction and drama, it invests much significance in food, drinks, and eating when it does employ these imageries. Then why do food studies in literature have a reputation of being “scholarship lite” (Ruark A17)? The ...

Notes

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pp. 171-181

Bibliography

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pp. 181-189

Index

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pp. 191-195