In this Book

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In this fascinating collection of translations, Telling Lives looks at the self-writing of five Japanese women who came of age during the decades leading up to World War II. Following an introduction that situates women’s self-writing against the backdrop of Japan during the 1920s and 1930s, Loftus takes up the autobiographies of Oku Mumeo, a leader of the prewar women’s movement, and Takai Toshio, a textile worker who later became a well-known labor activist. Next is the moving story of Nishi Kyoko, whose Reminiscences tells of her life as a young woman who escapes the oppression of her family and establishes her financial independence. Nishi’s narrative precedes a detailed look at the autobiography of Sata Ineko. Sata’s Between the Lines of My Personal Chronology recounts her years as a member of a proletarian arts circle and her struggle to become a writer. The collection ends with the Marxist Fukunaga Misao’s frank and explosive text Memoirs of a Female Communist, which is examined as a manifesto condemning the male chauvinism of the prewar Japanese Communist Party.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. p. vii
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  1. Acknowledgments
  2. pp. ix-xi
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  1. Introduction
  2. pp. 1-14
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  1. 1. Producing Writing Subjects: Women in the Interwar Years
  2. pp. 15-31
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  1. 2. Politics Rooted in Everyday Life: Oku Mumeo’s Fires Burning Brightly (Nobi aka aka to)
  2. pp. 32-81
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  1. 3. Changing Consciousness: Takai Toshio’s My Own Sad History of Female Textile Workers (Watashi no jokō aishi)
  2. pp. 82-131
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  1. 4. Her Mother’s Voice: Nishi Kiyoko’s Reminiscences (Tsuioku)
  2. pp. 132-184
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  1. 5. Re-presenting the Self: Sata Ineko’s Between the Lines of My Personal Chronology (Nen’pu no gyōkan)
  2. pp. 185-228
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  1. 6. Resisting Authority: Fukunaga Misao’s Recollections of a Female Communist (Aru onna kyōsanshugisha no kaisō)
  2. pp. 229-269
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  1. 7 Conclusion
  2. pp. 270-275
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  1. Notes
  2. pp. 277-293
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  1. Bibliography
  2. pp. 295-303
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  1. Index
  2. pp. 305-310
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