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Script Culture and the American Screenplay
summary
By considering the screenplay as a literary object worthy of critical inquiry, this volume breaks new ground in film studies.

Table of Contents

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  1. Cover
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  1. CONTENTS
  2. p. v
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  1. PREFACE
  2. pp. vii-x
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  1. Part 1: Foundations
  1. 1. Form and Function: The Evolution of the Screenplay
  2. pp. 3-24
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  1. 2. Parallel Forms: The Architecture of Performance
  2. pp. 25-44
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  1. 3. Aristotle, Aesthetics, and Critical Approaches to the Screenplay
  2. pp. 45-86
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  1. Part 2: Critiques
  1. 4. Dialogue as Action: Discourse, Dialectics, and the Rhetoric of Capitalism in David Mamet’s Glengarry Glen Ross
  2. pp. 89-114
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  1. 5. Scripting Gender, Representing Race
  2. pp. 115-148
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  1. 6. The Screenplay Adaptation: Huston, Hammett, and the Thing(s) from Another World
  2. pp. 149-192
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  1. 7. The Original Screenplay and Aesthetic Commerce: Natural Born Killers
  2. pp. 193-214
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  1. WORKS CITED
  2. pp. 215-224
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  1. INDEX
  2. pp. 225-230
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