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summary
In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together.

Table of Contents

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  1. Cover
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  1. Front Matter
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xiv
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  1. Introduction: The Notions of “Performing History”
  2. pp. 1-26
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  1. 1. Refractions of the Shoah on Israeli Stages: Theatre and Survival
  2. pp. 27-98
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  1. 2. Three European Productions about the French Revolution
  2. pp. 99-134
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  1. 3. Three American Productions of Danton’s Death
  2. pp. 135-186
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  1. 4. Theatrical Energies
  2. pp. 187-208
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  1. Epilogue: “Ich habe noch ein Koffer in Berlin . . .”
  2. pp. 209-216
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  1. Notes
  2. pp. 217-226
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  1. Bibliography
  2. pp. 227-236
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  1. Index
  2. pp. 237-242
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