In this Book

summary
Hewing to Experience charts Sherman Paul's course of coming to know William Carlos Williams, Hart Crane, Charles Olson, Robert Creeley, and Gary Snyder and the critical scholarship devoted to them as it provides an assessment of recent criticism. The initial section, on criticism and poetry, sets out many of the insistences that give this valuable collection of essays and reviews its coherence. Considered are criticism, poetics, poetry and old age, ethnopoetics, the gift exchange of imagination, and the recent and controversial enterprise of canon formation.
The final section of Hewing to Experience provides an important, meditative rereading of the work of Barry Lopez that convincingly places ecological writing within the large revisionist project of avant-garde poetry. Of particular note, too, is the full commentary on the Olson-Creeley correspondence.
Throughout, Paul's humane enthusiasm is evident. Hewing to Experience merits the readership of all those who are interested in contemporary poetry and concerned with the ongoing criticism of major poets and with critical practice.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-ix
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  1. Introduction
  2. pp. xi-xvii
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  1. PAR T I: Insistences
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  1. Open(ing) Criticism
  2. pp. 3-14
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  1. Clinging to the Advance:Some Remarks on "Projective Verse"
  2. pp. 15-25
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  1. Tory Formalists and New York Intellectuals
  2. pp. 26-31
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  1. Poetry and Old Age
  2. pp. 32-36
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  1. Serial Poems from Canada
  2. pp. 37-48
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  1. Ideogram
  2. pp. 49-52
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  1. Eros and Logos
  2. pp. 53-57
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  1. Ethnopoetics: An "Other" Tradition
  2. pp. 58-66
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  1. Canon-Making
  2. pp. 67-72
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  1. Nature and Poetry
  2. pp. 73-75
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  1. PART II: Emerson
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  1. Emerson's Poetic Legacy
  2. pp. 79-84
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  1. PART III: William Carlos Williams
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  1. A Sketchbook of the Artist in His Thirty-Fourth Year: William Carlos Williams' Kora in Hell: Improvisations
  2. pp. 87-107
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  1. Stieglitz, Williams, and Cubism
  2. pp. 108-110
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  1. Williams' Background
  2. pp. 111-114
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  1. The Later Poems
  2. pp. 115-117
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  1. The Embodiment of Knowledge
  2. pp. 118-121
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  1. The Early Poems
  2. pp. 122-124
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  1. Coles on Williams
  2. p. 125
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  1. Whittemore's Biography
  2. pp. 126-128
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  1. Williams and the Other Arts
  2. pp. 129-133
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  1. A Revisionist Study
  2. pp. 134-137
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  1. Romantic Idealist?
  2. pp. 138-141
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  1. PART IV: H.D.
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  1. A Modern Master
  2. pp. 145-149
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  1. PART V: Hart Crane
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  1. R. W. B. Lewis on Crane
  2. pp. 153-157
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  1. Crane's Prosody
  2. pp. 158-161
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  1. An Inside Biography
  2. pp. 162-169
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  1. A Personal Biography
  2. pp. 170-173
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  1. Family Letters
  2. pp. 174-175
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  1. Crane and Winters
  2. pp. 176-178
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  1. PART VI: Charles Olson
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  1. Maximus: Volume 3 or Books VII and After
  2. pp. 181-196
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  1. Olson and Pound
  2. pp. 197-201
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  1. Dancing the Man
  2. pp. 202-206
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  1. Birds, Landscape, Place, Cosmicity
  2. pp. 207-223
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  1. A Letter on Olson and Burke
  2. pp. 224-228
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  1. An Olson Primer
  2. pp. 229-232
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  1. PART VII: Robert Creeley
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  1. A Letter on Rosenthal's "Problems of Robert Creeley"
  2. pp. 235-249
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  1. Understanding Creeley
  2. pp. 250-253
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  1. PART VIII: The Correspondence of Charles Olson and Robert Creeley
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  1. Gripping~ Pushing~ Moving
  2. pp. 257-264
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  1. Holding
  2. pp. 265-272
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  1. Entering
  2. pp. 273-281
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  1. Arriving
  2. pp. 282-291
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  1. (The) Going(s) On
  2. pp. 292-302
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  1. This to Keep (You) On
  2. pp. 303-311
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  1. PART IX: Gary Snyder and Wendell Berry
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  1. Noble and Simple
  2. pp. 315-321
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  1. Minds Like Compost
  2. pp. 322-334
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  1. Snyder's Politics
  2. pp. 335-339
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  1. PART X: Barry Lopez
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  1. Making the Turn:Rereading Barry Lopez
  2. pp. 343-385
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  1. Previous Publications
  2. pp. 387-389
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