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The Gay]Grey Moose is a collection of essays presenting a comprehensive view of English poetry in Canada from the early colonial period to the Post-Modern era. From a wide range of poets, this book provides fresh contexts for viewing and discussing three centuries of English Canadian poetry. Both national and regional in its orientation, it seeks to discover the relationship between poetry and landscape in a poetic continuity that stretches from the late 17th century to the present.

Table of Contents

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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgements
  2. pp. ix-xii
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  1. SECTION I: Preamble
  2. pp. 1-13
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  1. SECTION II: Along the Line of Smoky Hills: The ecology of form in Canadian poetry
  2. pp. 15-42
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  1. SECTION III: A Stretching Landscape: Some formalistic continuities in the poetry of the hinterland
  2. pp. 43-75
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  1. SECTION IV: Law
  2. pp. 77-116
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  1. SECTION V: A Grey Inventory: Early long poems on Canada
  2. pp. 117-141
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  1. SECTION VI: Calibanned: The native peoples in early Canadian poetry
  2. pp. 143-162
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  1. SECTION VII: Of Roses and Rivers and Rattlesnakes, and Songless Birds and Trains: Towards an ecoanalysis of Canadian poetry
  2. pp. 163-186
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  1. SECTION VIII: The Poem in Its Niche: Lampman's "The City of the End of Things" and its origins
  2. pp. 187-200
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  1. SECTION IX: Let the Blank Whiteness of the Page Be Snow: The paysage
  2. pp. 201-216
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  1. SECTION X: Large Stature and Larger Soul: The herculean hero and narrative in Canada
  2. pp. 217-233
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  1. SECTION XI: Passion for Woods and Wild Life: Pan and the poets of the Confederation
  2. pp. 235-250
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  1. SECTION XII: The nth Adam: Modernism and the transcendence of Canada
  2. pp. 251-272
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  1. Amendment
  2. pp. 273-287
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  1. Notes
  2. pp. 289-317
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  1. Index
  2. pp. 319-328
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