In this Book

summary

Michele Glazer’s poems take on questions of being and value, exploring not just what is, but how it is. The poems trouble bordersbetween self and other, old and young, sick and well, stranger and intimate; between physical states in processes of decay; and between line and phrase, sentence and interruption, prose and poem, resisting the desire for something irrefutable with an abiding skepticism. 

      The poems are drawn to missteps in perception and in language, those fractures that promise to crack open a surface to yield some other, greater meaning:  “What is looked at is changed / what is looked for is gone.” From this collision of passion and severity come poems that are strange and darkly beautiful.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. iii-v
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. p. ix
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  1. One
  1. I didn’t think much about what it was
  2. p. 3
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  1. Trace
  2. pp. 4-7
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  1. Every hole in the bird blind says
  2. pp. 8-9
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  1. In the lava tube
  2. p. 10
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  1. Flüchtling
  2. pp. 11-12
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  1. Not where you found me but where you looked,
  2. p. 13
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  1. Cup
  2. p. 14
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  1. Worm, (to a rumor of lilies)
  2. pp. 15-18
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  1. Untitled
  2. p. 19
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  1. On religion, war, nature, and the horse
  2. p. 20
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  1. Two
  1. That Would Be Whidbey
  2. p. 23
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  1. Distances at Sea
  2. pp. 24-25
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  1. Mattress
  2. p. 26
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  1. The rabbi is pressed into service
  2. pp. 27-28
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  1. The least amount of stirred air a figure needed
  2. pp. 29-30
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  1. Beds of Clandestine
  2. pp. 31-32
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  1. To the better view
  2. pp. 33-34
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  1. The least part best
  2. p. 35
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  1. Say the Unseen
  2. p. 36
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  1. What so ever you
  2. p. 37
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  1. bright things
  2. p. 38
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  1. Three
  1. Fungus, with Daguerreotype
  2. pp. 41-43
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  1. aperture with wings
  2. p. 44
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  1. Your drawing of a horse
  2. p. 45
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  1. manifesto
  2. p. 46
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  1. She would have to do what she could do with it
  2. p. 47
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  1. Green Animals
  2. pp. 48-49
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  1. Metonymic Sonnet
  2. p. 50
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  1. To the rückenfigur
  2. pp. 51-52
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  1. Two Descending a Staircase
  2. p. 53
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  1. Child and Woman
  2. p. 54
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  1. Cradle
  2. pp. 55-56
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  1. Notes on tact & the made up world
  2. pp. 57-59
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  1. How, then,
  2. pp. 60-61
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  1. Part of which is remembered and the other part is not forgotten
  2. pp. 62-63
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  1. Elegy
  2. p. 64
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  1. Notes, List of Kuhl House Poets
  2. pp. 67-69
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  1. Back Cover
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