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Winner of Hurston/Wright Foundation's Legacy Award for Poetry, given by the Zora Neale Hurston/Richard Wright Foundation, 2018

Art can't shield our bodies or stabilize the earth's climate, but Evie Shockley's semiautomatic insists that it can feed the spirit and reawaken the imagination. The volume responds primarily to the twenty-first century's inescapable evidence of the terms of black life—not so much new as newly visible. The poems trace a whole web of connections between the kinds of violence that affect people across the racial, ethnic, gender, class, sexual, national, and linguistic boundaries that do and do not divide us. How do we protect our humanity, our ability to feel deeply and think freely, in the face of a seemingly endless onslaught of physical, social, and environmental abuses? Where do we find language to describe, process, and check the attacks and injuries we see and suffer? What actions can break us out of the soul-numbing cycle of emotions, moving through outrage, mourning, and despair, again and again? In poems that span fragment to narrative and quiz to constraint, from procedure to prose and sequence to song, semiautomatic culls past and present for guides to a hoped-for future.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication, Epigraph
  2. pp. i-x
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  1. Contents
  2. pp. xi-xvi
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  1. that’s a rap (sheet music for alphabet street)
  2. pp. 1-2
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  1. i. o the times
  1. weather or not
  2. p. 5
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  1. the way we live now ::
  2. p. 6
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  1. buried truths
  2. p. 7
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  1. what’s not to liken?
  2. p. 8
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  1. playing with fire
  2. p. 9
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  1. mirror and canvas
  2. pp. 10-11
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  1. if a junco
  2. p. 12
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  1. banking on amnesia
  2. pp. 13-14
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  1. a one-act play
  2. p. 15
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  1. in a no-win zone
  2. p. 16
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  1. corrective rape (or, i’m here to help)
  2. p. 17
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  1. Sex Trafficking Incidents in the Life of a Slave Girl in the USA (or, The Nation’s Plague in Plain Sight) 18
  2. pp. 18-26
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  1. ii. the topsy suite
  1. studies in antebellum literature (or, topsy-turvy)
  2. pp. 29-30
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  1. topsy’s notes on taxonomy
  2. p. 31
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  1. topsy talks about her role
  2. pp. 32-33
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  1. fromtopsy in wonderland
  2. pp. 34-39
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  1. [“now, reader . . .”]
  2. p. 40
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  1. iii. refrain
  1. a-lyrical ballad (or, how america reminds us of the value of family)
  2. pp. 43-45
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  1. keep your eye on
  2. pp. 46-49
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  1. haibun for a parasitic pre-apocalyptic blues
  2. p. 50
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  1. sore score
  2. p. 51
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  1. i declare war
  2. p. 53
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  1. acrobatic
  2. p. 54
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  1. song in the back yard
  2. p. 55
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  1. legend
  2. pp. 56-57
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  1. legit-i-mate
  2. p. 58
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  1. improphised
  2. pp. 59-60
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  1. cogito ergo loquor
  2. pp. 61-63
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  1. philosophically immune
  2. p. 64
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  1. “the people want the regime to fall”
  2. p. 65
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  1. a dark scrawl
  2. pp. 66-67
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  1. a one-act play
  2. p. 68
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  1. fukushima blues
  2. pp. 69-71
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  1. jim crow stole my father’s wings
  2. p. 72
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  1. supply and demand
  2. pp. 73-74
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  1. [“stop : meet with me here . . .”]
  2. pp. 75-76
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  1. iv. blues modality
  1. preface to a twenty-first-century survival guide
  2. p. 79
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  1. senzo
  2. p. 80
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  1. lotto motto
  2. p. 81
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  1. a one-act play
  2. p. 82
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  1. to be continued blues
  2. p. 83
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  1. of speech
  2. pp. 84-86
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  1. the obsolete army
  2. pp. 87-88
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  1. truth in advertising
  2. p. 89
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  1. upon this plot
  2. pp. 90-92
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  1. how long has this jayne been gone?
  2. pp. 93-95
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  1. du bois in ghana
  2. pp. 96-98
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  1. cosmography
  2. p. 99
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  1. circe / odysseus / black odysseys (a remix-collage)
  2. pp. 100-102
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  1. notes
  2. pp. 103-106
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  1. acknowledgments
  2. pp. 107-112
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