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Today more than ever, series finales have become cultural touchstones that feed watercooler fodder and Twitter storms among a committed community of viewers. While the final episodes of The Fugitive and M*A*S*H continue to rank among the highest rated broadcasts, more recent shows draw legions of binge-watching fans. Given the importance of finales to viewers and critics alike, Howard and Bianculli along with the other contributors explore these endings and what they mean to the audience, both in terms of their sense of narrative and as episodes that epitomize an entire show. Bringing together a veritable "who’s who" of television scholars, journalists, and media experts, including Robert Thompson, Martha Nochimson, Gary Edgerton, David Hinckley, Kim Akass, and Joanne Morreale, the book offers commentary on some of the most compelling and often controversial final episodes in television history. Each chapter is devoted to a separate finale, providing readers with a comprehensive survey of these watershed moments. Gathering a unique international lineup of journalists and media scholars, the book also offers readers an intriguing variety of critical voices and perspectives.

Table of Contents

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  1. Cover
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  1. Half Title, Epigraph, Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-x
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  1. Contents by Year
  2. pp. xi-xiv
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  1. Contents by Genre
  2. pp. xv-xviii
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  1. Acknowledgments
  2. pp. xix-xx
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  1. Introduction
  2. Douglas L. Howard
  3. pp. 1-7
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  1. 1. As the World Turns
  2. Sam Ford
  3. pp. 8-13
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  1. 2. Ashes to Ashes
  2. Karen Hellekson
  3. pp. 14-19
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  1. 3. Babylon 5
  2. Ensley F. Guffey
  3. pp. 20-24
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  1. 4. Barney Miller
  2. David Scott Diffrient
  3. pp. 25-33
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  1. 5. Battlestar Galactica
  2. Martha P. Nochimson
  3. pp. 34-42
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  1. 6. Boston Legal
  2. Barbara Villez
  3. pp. 43-50
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  1. 7. Breaking Bad
  2. K. Dale Koontz
  3. pp. 51-56
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  1. 8. Buffy the Vampire Slayer
  2. Elizabeth L. Rambo
  3. pp. 57-63
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  1. 9. Carnivàle
  2. Erika Johnson-lewis
  3. pp. 64-67
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  1. 10. Cheers
  2. Mitchell E. Shapiro
  3. pp. 68-72
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  1. 11. The Colbert Report
  2. Keith Brand
  3. pp. 73-77
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  1. 12. Dark Shadows
  2. Jeff Thompson
  3. pp. 78-83
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  1. 13. Dawson’s Creek
  2. Lori Bindig Yousman
  3. pp. 84-90
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  1. 14. Dexter
  2. Sue Turnbull, Renee Middlemost
  3. pp. 91-97
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  1. 15. The Dick Van Dyke Show
  2. Mark Dawidziak
  3. pp. 98-104
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  1. 16. Downton Abbey
  2. David Hinckley
  3. pp. 105-110
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  1. 17. ER
  2. Stephen Spignesi
  3. pp. 111-116
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  1. 18. Family Ties
  2. Alice Leppert
  3. pp. 117-122
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  1. 19. Friends
  2. Shelley Cobb, Hannah Hamad
  3. pp. 123-128
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  1. 20. Fringe
  2. Stacey Abbott
  3. pp. 129-133
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  1. 21. The Fugitive
  2. Douglas L. Howard
  3. pp. 134-141
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  1. 22. Gilmore Girls
  2. Katheryn Wright
  3. pp. 142-149
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  1. 23. Girls
  2. Eric Gould
  3. pp. 150-152
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  1. 24. Hill Street Blues
  2. Ronald Wilson
  3. pp. 153-157
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  1. 25. Homicide
  2. Jonathan Nichols-Pethick
  3. pp. 158-165
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  1. 26. House, M.D.
  2. Douglas Snauffer
  3. pp. 166-172
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  1. 27 How I Met Your Mother
  2. Clinton Bryant, Katheryn Wright
  3. pp. 173-178
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  1. 28. Howdy Doody
  2. Michael Donovan
  3. pp. 179-181
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  1. 29. Jericho
  2. Jeffrey Bussolini
  3. pp. 182-187
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  1. 30. Justified
  2. Stephanie Graves
  3. pp. 188-193
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  1. 31. The L Word
  2. Teresa Forde
  3. pp. 194-199
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  1. 32. The Larry Sanders Show
  2. Dean DeFino
  3. pp. 200-204
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  1. 33. Life on Mars (UK)
  2. Trisha Dunleavy
  3. pp. 205-212
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  1. 34. Lost
  2. Nikki Stafford
  3. pp. 213-218
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  1. 35. Mad Men
  2. Douglas L. Howard
  3. pp. 219-227
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  1. 36. The Mary Tyler Moore Show
  2. Dana Heller
  3. pp. 228-233
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  1. 37. M*A*S*H
  2. Cynthia Burkhead
  3. pp. 234-241
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  1. 38. Moonlighting
  2. Cynthia Burkhead
  3. pp. 242-248
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  1. 39. Newhart
  2. Cynthia Burkhead
  3. pp. 249-254
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  1. 40. Nichols
  2. David Bianculli
  3. pp. 255-259
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  1. 41. Nurse Jackie
  2. Joanne Morreale
  3. pp. 260-265
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  1. 42. The Office (UK)
  2. Asokan Nirmalarajah
  3. pp. 266-272
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  1. 43. The Office (US)
  2. J. Jeremy Wisnewski
  3. pp. 273-276
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  1. 44. Oz
  2. Bill Yousman
  3. pp. 277-282
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  1. 45. Prime Suspect
  2. Deborah Jermyn
  3. pp. 283-288
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  1. 46. The Prisoner
  2. Joanne Morreale
  3. pp. 289-294
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  1. 47. Quantum Leap
  2. Lincoln Geraghty
  3. pp. 295-300
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  1. 48. Rectify
  2. Eric Gould
  3. pp. 301-304
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  1. 49. Roseanne
  2. Michele Byers
  3. pp. 305-311
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  1. 50. Seinfeld
  2. Zeke Jarvis
  3. pp. 312-316
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  1. 51. Sex and the City
  2. Kim Akass
  3. pp. 317-323
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  1. 52. The Shield
  2. Douglas L. Howard
  3. pp. 324-332
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  1. 53. Six Feet Under
  2. Eric Gould
  3. pp. 333-338
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  1. 54. Smallville
  2. Stan Beeler
  3. pp. 339-344
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  1. 55. Sons of Anarchy
  2. Amanda Potter
  3. pp. 345-351
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  1. 56. The Sopranos
  2. Gary R. Edgerton
  3. pp. 352-358
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  1. 57. Spaced
  2. Lynne Hibberd
  3. pp. 359-363
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  1. 58. Star Trek: The Next Generation
  2. Jason P. Vest
  3. pp. 364-369
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  1. 59. St. Elsewhere
  2. Robert J. Thompson
  3. pp. 370-382
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  1. 60. That Was the Week That Was
  2. David Bianculli
  3. pp. 383-386
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  1. 61. 30 Rock
  2. Amy M. Damico
  3. pp. 387-392
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  1. 62. The Tonight Show Starring Johnny Carson
  2. Bill Brioux
  3. pp. 393-401
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  1. 63. Torchwood
  2. Lynnette Porter
  3. pp. 402-408
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  1. 64. True Blood
  2. Teresa Forde
  3. pp. 409-414
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  1. 65. Twin Peaks
  2. Adam Ochonicky
  3. pp. 415-424
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  1. 66. Veronica Mars
  2. Joseph S. Walker
  3. pp. 425-432
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  1. 67. The West Wing
  2. Gary Gravely
  3. pp. 433-438
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  1. 68. Will & Grace
  2. Brett Mills
  3. pp. 439-444
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  1. 69. The Wire
  2. Paul R. Wright
  3. pp. 445-453
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  1. 70. Xena: Warrior Princess
  2. Amanda Potter
  3. pp. 454-459
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  1. 71. The X-Files
  2. Lorna Jowett
  3. pp. 460-466
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  1. Conclusion
  2. Douglas L. Howard
  3. pp. 467-476
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  1. Contributors / Index
  1. Contributors
  2. pp. 479-492
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  1. Index
  2. pp. 493-520
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  1. Further Series Titles
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  1. Back Cover
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