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Cosmopolitan Publics focuses on China's "cosmopolitans"-Western-educated intellectuals who returned to Shanghai in the late 1920s to publish in English and who, ultimately, became both cultural translators and citizens of the wider world. Shuang Shen highlights their work providing readers with a broader understanding of the role and function of cultural mixing, translation, and multilingualism in China's cultural modernity. Shen's encompassing study revisits and presents the experience of Chinese modernity as far more heterogeneous, emergent, and transnational than it has been characterized until now.

Table of Contents

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  1. Frontmatter
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction: Anglophone Periodicals as Cosmopolitan Publics
  2. pp. 1-32
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  1. Chapter 1. The China Critic: Writing the City, the Nation, and the World
  2. pp. 33-58
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  1. Chapter 2. T’ien Hsia: Cosmopolitanism in Crisis
  2. pp. 59-94
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  1. Chapter 3. Internationalism as a Culture of Translation: Anglophone Internationalist Magazines and Literary Translation
  2. pp. 95-134
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  1. Chapter 4. Migration and Diaspora: The Afterlife of Chinese Cosmopolitanism
  2. pp. 135-160
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  1. Notes
  2. pp. 161-172
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  1. Bibliography
  2. pp. 173-178
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  1. Index
  2. pp. 179-181
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  1. About the Author
  2. pp. 182-183
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  1. Gallery
  2. pp. 185-194
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