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The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies.

Table of Contents

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  1. Front Matter
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  1. CONTENTS
  2. p. v
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  1. ACKNOWLEDGMENTS
  2. p. vii
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  1. INTRODUCTION: Movies and the 1910s
  2. pp. 1-25
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  1. 1910: Movies, Reform, and New Women
  2. pp. 26-47
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  1. 1911: Movies and the Stability of the Institution
  2. pp. 48-68
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  1. 1912: Movies, Innovative Nostalgia, and Real-Life Threats
  2. pp. 69-91
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  1. 1913: Movies and the Beginning of a New Era
  2. pp. 92-114
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  1. 1914: Movies and Cultural Hierarchy
  2. pp. 115-138
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  1. 1915: Movies and the State of the Union
  2. pp. 139-159
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  1. 1916: Movies and the Ambiguities of Progressivism
  2. pp. 160-182
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  1. 1917: Movies and Practical Patriotism
  2. pp. 183-203
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  1. 1918: Movies, Propaganda, and Entertainment
  2. pp. 204-224
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  1. 1919: Movies and Righteous Americanism
  2. pp. 225-248
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  1. SOURCES FOR FILMS
  2. pp. 249-252
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  1. WORKS CITED AND CONSULTED
  2. pp. 253-260
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  1. CONTRIBUTORS
  2. pp. 261-262
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  1. INDEX
  2. pp. 263-278
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