In this Book

  • After Representation?: The Holocaust, Literature, and Culture
  • Book
  • Edited by R. Clifton Spargo and Robert M. Ehrenreich
  • 2010
  • Published by: Rutgers University Press
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summary
After Representation? explores one of the major issues in Holocaust studiesùthe intersection of memory and ethics in artistic expression, particularly within literature. Contributors examine the shifting cultural contexts for Holocaust representation and reveal how writersùwhether they write as witnesses to the Holocaust or at an imaginative distance from the Nazi genocideùarticulate the shadowy borderline between fact and fiction, between event and expression, and between the condition of life endured in atrocity and the hope of ameaningful existence.

Table of Contents

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  1. Frontmatter
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  1. CONTENTS
  2. pp. vii-viii
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  1. PREFACE
  2. pp. ix-xii
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  1. Introduction
  2. pp. 1-22
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  1. PART ONE
  1. 1: The Holocaust, History Writing, and the Role of Fiction
  2. pp. 25-40
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  1. 2: Nostalgia and the Holocaust
  2. pp. 41-58
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  1. 3: Death in Language
  2. pp. 59-74
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  1. 4: Oskar Rosenfeld and Historiographic Realism
  2. pp. 75-86
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  1. PART TWO
  1. 5: Nazi Aesthetics in Historical Context
  2. pp. 89-98
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  1. 6: Writing Ruins
  2. pp. 99-118
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  1. 7: “If I forget thee, O Jerusalem”
  2. pp. 119-134
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  1. PART THREE
  1. 8: The Holocaust and the Economy of Memory, from Bellow to Morrison
  2. pp. 137-178
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  1. 9: “And in the Distance You Hear Music, a Band Playing”
  2. pp. 179-189
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  1. 10: Reading Heart of Darkness after the Holocaust
  2. pp. 190-209
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  1. 11: Theorizing the Perpetrator in Bernhard Schlink’s The Reader and Martin Amis’s Time’s Arrow
  2. pp. 210-230
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  1. CONTRIBUTORS’ BIOGRAPHIES
  2. pp. 231-233
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  1. INDEX
  2. pp. 235-242
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