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Just at the moment when conflicts between critical "isms" are threatening to turn the study of English literature into a game park for endangered texts, Bradshaw arrives with a work of liberating wit and insight. His subject is double: the Shakespeare he reads and the Shakespeare whom critics in the ranks of the new historicists and cultural materialists are representing (or misrepresenting).

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. A Note on the Text
  2. pp. xi-xiv
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  1. PROLOGUE Is Shakespeare Evil?
  2. pp. 1-33
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  1. CHAPTER ONE Being Oneself: New Historicists, Cultural Materialists, and Henry V
  2. pp. 34-124
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  1. CHAPTER TWO Dramatic Intentions: Two-Timing in Shakespeare's Venice
  2. pp. 125-222
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  1. EPILOGUE The New Historicist as Iago
  2. pp. 223-257
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  1. APPENDIX Dashing Othello's Spirits
  2. pp. 258-282
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  1. Notes
  2. pp. 283-314
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  1. Index
  2. pp. 315-323
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