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Rock art is one of humankind’s most ancient forms of artistic expression, and one of its most enigmatic. For centuries, scholars and other observers have struggled to interpret the meaning of the mysterious figures incised or painted on natural rocks and to understand their role in the lives of their long-vanished creators. The Great Basin of the American West is especially rich in rock art, but until recently North American archaeologists have largely ignored these most visible monuments left by early Native Americans and have given little attention to the terrain surrounding them. In Great Basin Rock Art, twelve respected rock art researchers examine a number of significant sites from the dual perspectives of settlement archaeology and contemporary Native American interpretations of the role of rock art in their cultural past. The authors demonstrate how modern archaeological methodology and interpretations are providing a rich physical and cultural context for these ancient and hitherto puzzling artifacts. They offer exciting new insights into the lives of North America’s first inhabitants. This is essential reading for anyone interested in the petroglyphs of the American West and in the history of the Great Basin and its original peoples.

Table of Contents

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  1. Cover
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  1. Front Matter
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  1. Contents
  2. pp. v-vi
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  1. Illustrations
  2. pp. viii-ix
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  1. Preface
  2. p. x
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  1. Acknowledgments
  2. p. xii
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  1. 1. Integrating Rock Art with Archaeology: Symbolic Culture as Archaeology
  2. pp. 1-8
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  1. PART I: ETHNOGRAPHIC PERSPECTIVES
  1. 2. Stories as Old as the Rocks: Rock Art and Myth
  2. pp. 11-19
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  1. 3. The Mountain Maidu Homeland: Native and Anthropological Interpretations of Cultural Identity
  2. pp. 20-33
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  1. PART II: ROCK ART'S SOCIAL CONTEXTS PAST AND PRESENT
  1. 4. Toward a Gender-Inclusive View of Rock Art in the Northern Great Basin
  2. pp. 37-51
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  1. 5. Grinding Stone and Pecking Rock: Rock Art of the High Basins, Spanish Springs, Nevada
  2. pp. 52-68
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  1. 6. A Regional Settlement System Approach to Petroglyphs: Application to the Owyhee Uplands, Southeastern Oregon
  2. pp. 69-91
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  1. 7. The Study of a Rock Art Site in Southeastern Oregon
  2. pp. 92-106
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  1. 8. Contexts in the Analysis of Rock Art: Settlement and Rock Art in the Warner Valley Area, Oregon
  2. pp. 107-125
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  1. 9. Petroglyph Dating on the Massacre Bench
  2. pp. 126-139
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  1. 10. Rock Art as an Artifact of Religion and Ritual: The Archaeological Construction of Rock Art’s Past and Present Social Contexts
  2. pp. 140-149
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  1. References
  2. pp. 151-178
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  1. Contributors
  2. p. 179
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  1. Index
  2. pp. 181-184
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