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Jesus Torrecilla explores the question of how societies considered to be marginal perceive their relationship with those that are hegemonic. Focusing on the works of Mariano Jose de Larra, Benito Perez Galdos, and Miguel de Unamuno, he argues that the inner tension created between the foreign models and the writers' own literary tradition explains two of the most important characteristics of Spanish literature: its belatedness with respect to European trends and, more generally, its traditionalism, which, says Torrecilla, is a reaction not against modernity as such but against modernity as a foreign influence. The double movement of imitation and appropriation generates an original hybrid literature that demonstrates the decisive importance of social identity in the configuration of literary works.

Table of Contents

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  1. Cover
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  1. Series Info, Half Title, Title Page, Copyright
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  1. Contents
  2. pp. 7-10
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  1. Introducción
  2. pp. 11-18
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  1. El tiempo y los márgenes: Utopía y conciencia de atraso
  2. pp. 19-52
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  1. Parte I. Europa como utopía: Actitudes receptivas
  2. pp. 53-54
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  1. Capítulo 1. La propuesta integradora de larra: Educación
  2. pp. 55-76
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  1. Capítulo 2. La propuesta integradora de Gloria: Fecundación
  2. pp. 77-106
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  1. Parte II. Europa como amenaza: Actitudes defensivas
  2. pp. 107-109
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  1. Capítulo 1. La propuesta paradójica de Ángel Guerra
  2. pp. 110-142
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  1. Capítulo 2. El relativismo de unamuno: La pasión como fundamento del juicio
  2. pp. 143-184
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  1. Conclusiones
  2. pp. 185-191
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  1. Bibliografía citada
  2. pp. 192-201
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  1. Índice
  2. pp. 202-212
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  1. Back Cover
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