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Sacraments of Memory is the first book to focus on Catholic themes and imagery in African American literature. Erin Michael Salius discovers striking elements of the religion in neo-slave narratives written by Toni Morrison, Leon Forrest, Phyllis Alesia Perry, and Charles Johnson, among others. Examining the emergence of this major literary genre following Vatican II and amidst the Black Power and civil rights movements, she uncovers the presence of Catholic rituals and mysteries—including references to the Eucharist, Augustinian theology, spirit possession, and stigmata. These textual references occur alongside and in tension with criticisms of the Church's political and social policies. Salius offers a nuanced reading of Beloved that interprets the novel in light of Toni Morrison's affiliation with the religion. She argues that Morrison, and the other novelists in this study, draw on a Catholic countertradition in American literature that resists Enlightenment rationality. She highlights allusions to Catholic tropes such as the connections between spirit possession and the hijacking of Jane's narrative voice in Ernest Gaines's The Autobiography of Miss Jane Pittman. Salius also identifies Augustinian theology on the prescience of God in the flash-forward narrative techniques used in Edward P. Jones's The Known World. These authors use Catholicism to challenge the historical realism of past slave autobiographies and the conventional story of American slavery. Ultimately, Salius contends that this tradition enables these novelists to imagine and express radically different ways of remembering the past.

Table of Contents

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  1. Cover
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  1. Half Title, Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Introduction: Toward a Reading of the Catholic Margin in Contemporary Narratives of Slavery
  2. pp. 1-12
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  1. 1. Toni Morrison’s Sacramental Rememory
  2. pp. 13-66
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  1. 2. A Sacred Communion: The Catholic Side of Possession in The Autobiography of Miss Jane Pittman and Two Wings to Veil My Face
  2. pp. 67-108
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  1. 3. Catholicism and Narrative Time: Transcending the Past and the Present in Stigmata and Oxherding Tale
  2. pp. 109-159
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  1. 4. Catholicism and Narrative Time, Continued: Divine Prescience in Edward P. Jones’s The Known World
  2. pp. 160-192
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  1. Coda
  2. pp. 193-194
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  1. Notes
  2. pp. 195-208
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  1. Bibliography
  2. pp. 209-216
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  1. Index
  2. pp. 217-223
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  1. About the Author
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