In this Book

Table of Contents

  1. Cover
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  1. Title Page, Series Page, Copyright, Dedication, Epigraph
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xiv
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  1. “Attuned to It All”: Embodied Listening and Listening in Print
  2. pp. 1-18
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  1. 1. “Our Literary Audience”: Listenership in Zora Neale Hurston’s Their Eyes Were Watching God and Sterling Brown’s “Ma Rainey”
  2. pp. 19-40
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  1. 2. “To Hear the Silence of Sound”: Vibrational Listening in Ralph Ellison’s Invisible Man
  2. pp. 41-58
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  1. 3. When Malindy Listens: Audiographic Archiving in Gayl Jones’s Corregidora
  2. pp. 59-80
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  1. 4. “If I Allow Myself to Listen”: Slavery, Historical Thinking, and Aural Encounters in David Bradley’s The Chaneysville Incident
  2. pp. 81-106
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  1. 5. “New Ways to Make Us Listen”: Aural Learning in the English Classroom
  2. pp. 107-118
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  1. “All Living Is Listening”: Toward an Aurally Engaged Citizenry
  2. pp. 119-120
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  1. Notes
  2. pp. 121-146
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  1. Bibliography
  2. pp. 147-162
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  1. Index
  2. pp. 163-168
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Additional Information

ISBN
9781609385620
Print ISBN
9781609385613
MARC Record
OCLC
1029545738
Pages
182
Launched on MUSE
2018-04-02
Language
English
Open Access
N
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