In this Book

summary
The book discusses how trauma presented in the media spills over national boundaries and can be found in images across divergent cultures in Africa, Asia, Australia, Europe and America.

Table of Contents

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  1. Cover
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  1. Trauma and Cinema Cross-Cultural Explorations
  2. p. iii
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  1. copyright page
  2. p. iv
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  1. Contents
  2. pp. v-vi
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  1. Contributors
  2. pp. vii-ix
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  1. Introduction
  2. pp. 1-22
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  1. Part One Trauma and Cross-Cultural Encounters
  1. 1. This Is My HistoryTrauma, Testimony, and Nation-Buildingin the “New” South Africa
  2. pp. 25-44
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  1. 2. Traumatic Contact Zones and Embodied Translators With Reference to Select Australian Texts
  2. pp. 45-64
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  1. 3. A World of Sadness?
  2. pp. 65-90
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  1. Part Two Screening War and Terror
  1. 4. Post-traumatic Cinema and the Holocaust Documentary
  2. pp. 93-122
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  1. 5. The Vicissitudes of Traumatic Memory and the Postmodern History Film
  2. pp. 123-144
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  1. 6. Allegorizing Hiroshima Shindo Kaneto’s Onibaba as Trauma Text
  2. pp. 145-161
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  1. Part Three Traumatic Memory, Narrative, and the Reconstruction of History
  2. pp. 162-164
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  1. 7. Hiroshima, mon amour,Trauma, and the Sublime
  2. pp. 165-182
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  1. 8. Encountering Paralysis Disability, Trauma and Narrative
  2. pp. 183-202
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  1. 9. To Live The Survival Philosophy of the Traumatized
  2. pp. 203-216
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  1. 10. Trauma, Visuality, and History in Chinese Literature and Film
  2. pp. 217-240
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  1. Notes
  2. pp. 241-272
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  1. Index
  2. pp. 273-288
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