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This book comprises five invited papers, each of which touches on a topic directly or indirectly related to the music of China in the twentieth century. And it consists of the catalogue of library materials related to new music of China donated by Liu Ching-chih to the University of Hong Kong.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
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  1. Foreword
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xiv
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  1. 前言
  2. pp. xv-xviii
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  1. Acknowledgments
  2. pp. xix-xx
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  1. The Arrangement of the Catalogue
  2. pp. xxi-xxiii
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  1. Part A: Invited Papers
  1. 1. C.C. Liu on New Music in China
  2. pp. 3-15
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  1. 2. The C. C. Liu Collection on New Music in China at the University of Hong Kong
  2. pp. 17-22
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  1. 3. The Repertoire of the Modern Chinese Orchestra: Experiment or Falsification
  2. pp. 23-30
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  1. 4. The Fish Bites Its Tail in Sun Wenming's Liu Bo Qu
  2. pp. 31-45
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  1. 5. Soft and Sweet, Loud and Sour: Looking Back on Polytonality
  2. pp. 47-70
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  1. Part B: "The C. C. Liu Collection on New Music in China" Catalogue
  1. Section I: Scores (No. 1 - No. 621)
  2. pp. 73-172
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  1. Section II: Books & Ephemera (No. 622 - No. 1008)
  2. pp. 173-236
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  1. Section III: Manuscripts (No. 1009 - No. 1056)
  2. pp. 237-243
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  1. Section IV: Audio-visual Materials (No. 1057 - No. 1127)
  2. pp. 245-261
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  1. Section V: Journals (No. 1 1 2 8 - N o . 1163)
  2. pp. 263-267
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  1. Appendices
  1. Appendix A
  2. pp. 271-283
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  1. Appendix B
  2. pp. 285-287
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  1. Appendix C
  2. pp. 289-314
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  1. Indexes
  2. pp. 315-363
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