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Pulitzer Prize--winning poet Richard Wilbur (b. 1921) is part of a notable literary cohort, American poets who came to prominence in the mid-twentieth century. Wilbur's verse is esteemed for its fluency, wit, and optimism; his ingeniously rhymed translations of French drama by Molière, Racine, and Corneille remain the most often staged in the English-speaking world; his essays possess a scope and acumen equal to the era's best criticism. This biography examines the philosophical and visionary depth of his world-renowned poetry and traces achievements spanning seventy years, from political editorials about World War II to war poems written during his service to his theatrical career, including a contentious collaboration with Leonard Bernstein and Lillian Hellman.

Wilbur's life has been mistakenly seen as blessed, lacking the drama of his troubled contemporaries. Let Us Watch Richard Wilbur corrects that view and explores how Wilbur's perceived "normality" both enhanced and limited his achievement. The authors augment the life story with details gleaned from access to his unpublished journals, family archives, candid interviews they conducted with Wilbur and his wife, Charlee, and his correspondence with Robert Lowell, Elizabeth Bishop, John Berryman, John Malcolm Brinnin, James Merrill, and others.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-x
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  1. Prologue
  2. pp. 1-6
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  1. 1. Childhood in North Caldwell, New Jersey: “Back where Safety was”
  2. pp. 7-28
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  1. 2. Amherst College: “Now that we are in it”
  2. pp. 29-46
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  1. 3. World War II, Stateside and in Italy: “War Poetry shd. deal with the one and the Many”
  2. pp. 47-70
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  1. 4. World War II in France, Germany, and England: “Oboe Victor Easy Roger”
  2. pp. 71-91
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  1. 5. Religion and Wilbur’s War Poems: “I Weary of the Confidence of God”
  2. pp. 92-101
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  1. 6. The Cambridge Years: “A Young Poet of Promise”
  2. pp. 102-133
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  1. 7. Claiming Moliere for his own Native Tongue: “In Short, Trust the Words”
  2. pp. 134-156
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  1. 8. Prix de Rome: “The Morning air is all Awash with Angels”
  2. pp. 157-177
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  1. 9. Candide and Other Broadway Misadventures: “Glitter and be gay”
  2. pp. 178-197
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  1. 10. In the Circle with Lowell, Bishop, and Jarrell: “I Should not be Conveying Competitiveness”
  2. pp. 198-229
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  1. 11. Keeping a Difficult Balance: “The Time one Spends Teaching Could be Spent Writing”
  2. pp. 230-252
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  1. 12. Overstressed and Overmedicated: “No Stranger to what is Dark in Life”
  2. pp. 253-275
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  1. 13. Key West Winters: “Isaiah’s Holy Mountain”
  2. pp. 276-293
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  1. 14. Life without Charlee: “Night after Night, my Love, I put to sea”
  2. pp. 294-318
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  1. Acknowledgments
  2. pp. 319-320
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  1. Notes
  2. pp. 321-354
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  1. Index
  2. pp. 355-376
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  1. About the Authors
  2. pp. 377-379
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  1. Back Cover
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