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How has the state impacted culture and cultural production in Africa? How has culture challenged and transformed the state and our understandings of its nature, functions, and legitimacy? Compelled by complex realities on the ground as well as interdisciplinary scholarly debates on the state-culture dynamic, senior scholars and emerging voices examine the intersections of the state, culture, and politics in postcolonial Africa in this lively and wide-ranging volume. The coverage here is continental and topics include literature, politics, philosophy, music, religion, theatre, film, television, sports, child trafficking, journalism, city planning, and architecture. Together, the essays provide an energetic and nuanced portrait of the cultural forms of politics and the political forms of culture in contemporary Africa.

Table of Contents

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  1. Cover
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  1. Half Title, Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Introduction: State and Culture in Africa: The Possibilities of Strangeness
  2. Tejumola Olaniyan
  3. pp. 1-24
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  1. Part I. Culture and Governance: Conceptual and Practical Explorations
  1. 1. Culture and the Study of Politics in Postcolonial Africa
  2. Patrick Chabal
  3. pp. 27-38
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  1. 2. Joined at the Hip: African Literature and Africa’s Body Politic
  2. Niyi Osundare
  3. pp. 39-54
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  1. 3. Philosophy and the State in Postcolonial Africa
  2. Olúfémi Táíwò
  3. pp. 55-76
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  1. 4. Soccer and the State: The Politics and Morality of Daily Life
  2. Michael G. Schatzberg
  3. pp. 77-93
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  1. 5. The Enchanted History of Nigerian State Television
  2. Matthew H. Brown
  3. pp. 94-110
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  1. Part II. Creative Adversities and the Truly Productive State
  1. 6. “Performing Like There’s No Tomorrow”: Theater, War, and Social Vulnerability in Mozambique
  2. Luís Madureira
  3. pp. 113-134
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  1. 7. Fissures of Trespass: Women as Agents of Transgression amid National Disenchantment
  2. Névine El Nossery
  3. pp. 135-153
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  1. 8. The Sudanese Nation and Its Fragments: Tayeb Salih’s Literary Archaeology
  2. Sofia Samatar
  3. pp. 154-170
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  1. 9. The African Postcolonial Predicament: A Logic of Revenge, Prison Poetry, and Becoming Human
  2. Ken Walibora Waliaula
  3. pp. 171-190
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  1. 10. “Jesus Christ, Executive Producer”: Pentecostal Parapolitics in Nollywood Films
  2. Akin Adesokan
  3. pp. 191-206
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  1. 11. Hi-fi Sociality, Lo-fi Sound: Affect and Precarity in an Independent South African Recording Studio
  2. Louise Meintjes
  3. pp. 207-224
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  1. Part III. The State in the City: Urban Negotiations of the Necessary
  1. 12. Talibé Trafficking: The Transformation of Koranic Teaching in Senegal
  2. Lark Porter
  3. pp. 227-242
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  1. 13. Tradition of Resistance in Nigeria’s Print Media: An Example from TheNEWS
  2. Kunle Ajibade
  3. pp. 243-259
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  1. 14. Improvisational Characteristics of an Urban Fragment: Oxford Street, Accra
  2. Ato Quayson
  3. pp. 260-274
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  1. 15. Gaining Ground: Squatters and the Right to the City
  2. Anne-Maria Makhulu
  3. pp. 275-290
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  1. 16. African Urban Garrison Architecture: Property, Armed Robbery, Para-capitalism
  2. Tejumola Olaniyan
  3. pp. 291-308
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  1. Index
  2. pp. 309-323
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