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This volume provides, collectively, a multi-layered analysis of the emerging East Asian media culture, using the Korean TV drama as its analytic vehicle.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
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  1. Acknowledgements
  2. p. vii
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  1. Contributors
  2. pp. ix-xi
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  1. Introduction. East Asian TV Dramas: Identifications, Sentiments and Effects
  2. pp. 1-12
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  1. I. Television Industry in East Asia
  1. 1. The Growth of Korean Cultural Industries and the Korean Wave
  2. pp. 15-31
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  1. 2. Renting East Asian Popular Culture for Local Television: Regional Networks of Cultural Production
  2. pp. 33-51
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  1. 3. Mediating Nationalism and Modernity: The Transnationalization of Korean Dramas on Chinese (Satellite) TV
  2. pp. 53-69
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  1. II. Transnational-Crosscultural Receptions of TV Dramas
  1. 4. Structure of Identification and Distancing in Watching East Asian Television Drama
  2. pp. 73-89
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  1. 5. Re-Imagining a Cosmopolitan ‘Asian Us’: Korean Media Flows and Imaginaries of Asian Modern Femininities
  2. pp. 91-125
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  1. 6. Winter Sonata and Cultural Practices of Active Fans in Japan: Considering Middle-Aged Women as Cultural Agents
  2. pp. 127-141
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  1. 7. Touring ‘Dramatic Korea’: Japanese Women as Viewers of Hanryu Dramas and Tourists on Hanryu Tours
  2. pp. 143-155
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  1. 8. Popular Cultural Capital and Cultural Identity: Young Korean Women’s Cultural Appropriation of Japanese TV Dramas
  2. pp. 157-172
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  1. III. Nationalistic Reactions
  1. 9. Mapping Out the Cultural Politics of “the Korean Wave” in Contemporary South Korea
  2. pp. 175-189
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  1. 10. Rap(p)ing Korean Wave: National Identity in Question
  2. pp. 191-216
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  1. 11. Existing in the Age of Innocence: Pop Stars, Publics, and Politics in Asia
  2. pp. 217-242
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  1. 12. When the Korean Wave Meets Resident Koreans in Japan: Intersections of the Transnational, the Postcolonial and the Multicultural
  2. pp. 243-264
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  1. Notes
  2. pp. 265-278
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  1. References
  2. pp. 279-303
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  1. Index
  2. pp. 305-307
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