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Described as an artist of "prodigious imagination and intelligence" by the New York Times, Jill Sigman makes art at the intersection of dance, visual art, and social practice. An artist's book that explores the ability of art to engage us and re-envision our environment, Ten Huts documents a series of site-specific huts that were hand built from found and repurposed materials ranging from the mundane (e-waste and plastic bottles) to the bizarre (circus detritus, dental molds, and mugwort grown on the banks of a toxic creek) in landscapes as varied as industrial Brooklyn and the Norwegian Arctic. Each of the extraordinary huts in this full-color book is a structure, a sculpture, and an emergency preparedness kit that raises questions about sustainability, shelter, real estate, and our future on this planet. Ten Huts features an artist essay by Jill Sigman and 499 illustrations, along with essays about The Hut Project by Thomas Hylland Eriksen (anthropology), André Lepecki (performance studies), Matthew McLendon (art history), Elise Springer (philosophy), and Eva Yaa Asantewaa (dance). Also includes a foreword by Pamela Tatge.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-iv
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  1. Contents
  2. pp. vii-viii
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  1. Foreword
  2. pp. ix-xii
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  1. Preface
  2. pp. xiii-xvii
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  1. Paradise Declassified
  2. pp. 1-24
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  1. The Huts
  1. HUT #1 The Border, Brooklyn, New York
  2. pp. 27-32
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  1. HUT #2 The Border, Brooklyn, New York
  2. pp. 33-40
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  1. HUT #3 The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute, Troy, New York
  2. pp. 41-48
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  1. HUT #4 The Border, Brooklyn, New York
  2. pp. 49-60
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  1. HUT #5 The Border, Brooklyn, New York
  2. pp. 61-70
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  1. HUT #6 The Norwegian Opera, Oslo, Norway
  2. pp. 71-86
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  1. HUT #7 Arts@Renaissance, Brooklyn, New York
  2. pp. 87-102
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  1. HUT #8 The Sheila C. Johnson Design Center, Parsons The New School for Design, Manhattan, New York
  2. pp. 103-112
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  1. HUT #9 Godsbanen, Aarhus, Denmark
  2. pp. 113-126
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  1. HUT #10 The John and Mable Ringling Museum of Art, Sarasota, Florida
  2. pp. 127-148
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  1. A POSTSCRIPT Kjerringøy Land Art Biennale 2015, Kjerringøy, Norway
  2. pp. 149-162
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  1. The Essays
  1. Dwelling Object Hut Thing
  2. André Lepecki
  3. pp. 165-172
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  1. The Century of Compost: Some Thoughts about Waste, Huts, and Pippi Longstocking
  2. Thomas Hylland Eriksen
  3. pp. 173-178
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  1. Being Moved, Moving Ourselves
  2. Elise Springer
  3. pp. 179-186
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  1. Planting Dance at the Crossroads
  2. Eva Yaa Asantewaa
  3. pp. 187-190
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  1. The Queer Frontier of Jill Sigman’s Hut Project
  2. Matthew McLendon
  3. pp. 191-198
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  1. Acknowledgments
  2. pp. 199-200
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  1. Selected Bibliography
  2. pp. 201-202
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  1. About the Contributors
  2. pp. 203-204
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  1. Index
  2. pp. 205-214
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