In this Book

Brecht and East Asian Theatre
summary
This book contains unique information about Bertolt Brecht and East Asian theatre. It focuses in particular on China and offers first and detailed accounts of important Brecht productions from those directly involved.

Table of Contents

  1. Cover
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  1. Frontmatter
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  1. CONTENTS
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  1. INTRODUCTION
  2. pp. 1-2
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  1. 1. BERTOLT BRECHT TODAY PROBLEMS IN AESTHETICS AND POLITICS
  2. pp. 3-17
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  1. 2. BRECHT IN CHINA
  2. pp. 18-27
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  1. 3. BRECHT'S THEATRE AND CHINESE DRAMA
  2. pp. 28-45
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  1. 4. THE RECEPTION OF BERTOLT BRECHT IN CHINA AND ITS IMPACT ON CHINESE DRAMA
  2. pp. 46-64
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  1. 5. FIRST PERFORMANCE OF BRECHT'S DRAMATIC WORK IN CHINA: THE PRODUCTION OF MOTHER COURAGE AND ITS STAGE DESIGN
  2. pp. 65-71
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  1. 6. STAGE DESIGN FOR BRECHT'S LIFE OF GALILEO
  2. pp. 72-87
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  1. 7. THE BEIJING PRODUCTION OF LIFE OF GALILEO
  2. pp. 88-95
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  1. 8. A SUPPLEMENT TO BRECHT'S' ALIENATION EFFECTS IN CHINESE ACTING'
  2. pp. 96-110
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  1. 9. BRECHT RECEPTION IN JAPAN THE PERSPECTIVE OF THEATRICAL PRACTICE
  2. pp. 111-129
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  1. 10. BRECHT IN OSAKA-KOBE AT THE BEGINNING OF THE EIGHTIES
  2. pp. 130-137
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  1. 11. BRECHT IN WEST BENGAL
  2. pp. 138-144
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  1. 12. PRODUCTION AS LEARNING EXPERIENCE TANIKO - HE WHO SAYS YES - THE MEASURES TAKEN
  2. pp. 145-161
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  1. 13. THE CAUCASIAN CHALK CIRCLE
  2. pp. 162-174
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  1. 14. HOW WE DIGESTEP BERTOLT BRECHT
  2. pp. 175-185
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  1. 15. BRECHT IN ASIA : THE CHINESE CONTRIBUTION
  2. pp. 186-208
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  1. A GLOSSARY OF CHINESE NAMES, TITLES AND TERMS
  2. pp. 209-213
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  1. LIST OF SPEAKERS AND TRANSLATORS
  2. pp. 214-214
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  1. INDEX
  2. pp. 215-227
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