In this Book

Art and Place
summary
The book brings together a series of essays about art in Hong Kong written over the last ten years, with the intention of offering a personal chronicle of the Hong Kong art world during a time of great change.

Table of Contents

  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. v-vi
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  1. Illustrations
  2. pp. vii-ix
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  1. Introduction
  2. pp. xi-xii
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  1. Section I. Art and Its Contexts
  2. p. 1
  1. 1. Site-Specificity in Recent Art
  2. pp. 3-11
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  1. 2. Monologues Without Words: Museum Displays as Art Historical Narratives
  2. pp. 12-18
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  1. 3. Museums, Artists, Audiences
  2. pp. 19-23
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  1. 4. Private Art in a Public Place
  2. pp. 24-27
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  1. 5. ‘In Search of Art’: Looking Back With the Future in Mind
  2. pp. 28-32
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  1. 6. Engaging Tradition
  2. pp. 33-36
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  1. 7. Photography, Art, Life
  2. pp. 37-43
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  1. Section II. Arts Policy Issues
  2. p. 45
  1. 8. The Culture of Democracy: Looking at Art in Hong Kong
  2. pp. 47-51
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  1. 9. The Arts Policy Review Report: Some Responses
  2. pp. 52-54
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  1. 10. Submission to the Legislative Council’s Panel on Recreation and Culture Concerning the Proposed Arts Development Council
  2. pp. 55-57
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  1. 11. Research and the Nurturing of Public Understanding of Art
  2. pp. 58-61
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  1. Section III. Hong Kong Art
  2. p. 63
  1. 12. Between East and West: Negotiations With Tradition and Modernity in Hong Kong Art
  2. pp. 65-84
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  1. 13. The Sculpture of Antonio Mak
  2. pp. 85-104
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  1. 14. The Art of Yank Wong
  2. pp. 105-108
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  1. 15. The Art of Chan Chi-ling
  2. pp. 109-113
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  1. 16. A Sense of Place: Chan Chi-ling and Wong Wo-bik in Conversation With David Clarke
  2. pp. 114-119
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  1. 17. Innocence and Experience: The Art of Mei Lo
  2. pp. 120-125
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  1. 18. The Insufficiency of Tradition: Paintings by Fang Zhaoling and Chu Hing-wah
  2. pp. 126-131
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  1. 19. Photography and Social Reproduction
  2. pp. 132-137
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  1. 20. Revisions
  2. pp. 138-143
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  1. 21. Zuni Icosahedron in Context
  2. pp. 144-148
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  1. Section IV. Western Art in a Hong Kong Frame
  2. p. 149
  1. 22. Grimm’s Fairy Tales: A Series of Etchings by David Hockney
  2. pp. 151-156
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  1. 23. The Blue Guitar
  2. pp. 157-168
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  1. 24. Drawing From the Unconscious: The Surrealist Art of Max Ernst
  2. pp. 169-173
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  1. 25. German Graphics of the 1970s
  2. pp. 174-177
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  1. 26. Aspects of Contemporary Australian Art
  2. pp. 178-182
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  1. 27. Hot and Cool: The Art of Robert Rauschenberg
  2. pp. 183-186
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  1. 28. Rodin and the Fragmented Figure
  2. pp. 187-197
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  1. 29. The Aesthetic of the Sketch
  2. pp. 198-201
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  1. 30. National Shows at the 1995 Venice Biennale
  2. pp. 202-206
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  1. 31. Art and the History of the Body: A Review of ‘Identity and Alterity’, the Keynote Show of the 1995 Venice Biennale
  2. pp. 207-211
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  1. Section V. Chinese Art: The View From Hong Kong
  2. p. 213
  1. 32. Li Tiefu and Western Art
  2. pp. 215-224
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  1. 33. Exile From Tradition: Chinese and Western Traits in the Art of Lin Fengmian
  2. pp. 225-235
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  1. 34. Reframing Mao: Aspects of Recent Chinese Art, Popular Culture and Politics
  2. pp. 236-249
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  1. 35. Foreign Bodies: Chinese Art at the 1995 Venice Biennale
  2. pp. 250-257
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  1. Plates
  2. pp. 259-284
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  1. Chinese Names
  2. pp. 258-286
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  1. Index
  2. pp. 287-296
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