In this Book

summary
In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism has crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema.

Table of Contents

  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. v-vi
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  1. Series Preface
  2. pp. vii-ix
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  1. Acknowledgements
  2. pp. xi-xii
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  1. 1. Introduction: The New Wave and the Generic Abyss
  2. pp. 1-8
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  1. 2. Forgotten Times: Music, Memory, Time, and Space
  2. pp. 9-50
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  1. 3. Allegories of Hell: Moral Tales and National Shadows
  2. pp. 51-95
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  1. 4. Postmodern Allegory: The Global Economy and New Technologies
  2. pp. 97-115
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  1. 5. Identity as Static: Surveillance, Psychoanalysis, and Performance
  2. pp. 117-153
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  1. 6. Thieves and Pirates: Beyond “Auteur” Cinema
  2. pp. 155-168
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  1. Appendix 1: Plot Summaries
  2. pp. 169-175
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  1. Appendix 2: Interview with Andrew Lau and Alan Mak
  2. pp. 177-184
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  1. Notes
  2. pp. 185-202
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  1. Credits
  2. pp. 203-210
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Additional Information

ISBN
9789888052035
Related ISBN
9789622098015
MARC Record
OCLC
650586934
Pages
224
Launched on MUSE
2012-01-01
Language
English
Open Access
No
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