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Sots-art, the mock use of the Soviet ideological clichés of mass culture, originated in Soviet nonconformist art of the early 1970s. An original and provocative guide, Endquote: Sots-Art Literature and Soviet Grand Style examines the conceptual aspect of sots-art, sots-art poetry, and sots-art prose, and discusses where these still-vital intellectual currents may lead.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
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  1. Sots-Art, Conceptualism, and Russian Postmodernism: An Introduction
  2. pp. vii-xx
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  1. Part I—Sots-Art: Between Socialist Realism and Postmodernism
  1. Postmodernism, Communism, and Sots-Art
  2. pp. 3-31
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  1. Text as a Ready-Made Object
  2. pp. 32-45
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  1. The Reading, Understanding, and Discursive Genres of Conceptualism
  2. pp. 46-57
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  1. Playing Absolute Time: Chronotypes of Sots-Art
  2. pp. 58-74
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  1. Part II—Sots-Art and Poetry
  1. Socialist Realism, a Postscriptum: Dmitrii Prigov and the Aesthetic Limits of Sots-Art
  2. pp. 77-106
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  1. Lev Rubinshtein's Early Conceptualism: The Programs of Works
  2. pp. 107-122
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  1. Transfiguration of Kitsch—Timur Kibirov's Sentiments: A Farewell Elegy for Soviet Civilization
  2. pp. 123-145
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  1. Iosif Vissarionovich Pushkin, or Sots-Art and the New Russian Poetry
  2. pp. 146-164
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  1. Part III—Sots-Art and Prose
  1. Vladimir Sorokin's "Theater of Cruelty"
  2. pp. 167-192
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  1. The Diary of a Writer from T
  2. pp. 193-210
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  1. Reading Palisandria: Of Menippean Satire and Sots-Art
  2. pp. 211-224
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  1. Viktor Pelevin and the End of Sots-Art
  2. pp. 225-237
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  1. Notes on Contributors
  2. pp. 239-241
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