In this Book

Endquote
buy this book Buy This Book in Print
summary
Sots art, the mock use of the Soviet ideological clichés of mass culture, originated in Soviet nonconformist art of the early 1970s. An original and provocative guide, Endquote: Sots Art Literature and Soviet Grand Style examines the conceptual aspect of sots art, sots art poetry, and sots art prose, and discusses where these still vital intellectual currents may lead.

Table of Contents

  1. Cover
  2. restricted access Download |
  1. Frontmatter
  2. restricted access Download |
  1. Contents
  2. restricted access Download |
  1. Sots-Art, Conceptualism, and Russian Postmodernism: An Introduction
  2. pp. vii-xx
  3. restricted access Download |
  1. Part I—Sots-Art: Between Socialist Realism and Postmodernism
  2. p. 1
  1. Postmodernism, Communism, and Sots-Art
  2. pp. 3-31
  3. restricted access Download |
  1. Text as a Ready-Made Object
  2. pp. 32-45
  3. restricted access Download |
  1. The Reading, Understanding, and Discursive Genres of Conceptualism
  2. pp. 46-57
  3. restricted access Download |
  1. Playing Absolute Time: Chronotypes of Sots-Art
  2. pp. 58-74
  3. restricted access Download |
  1. Part II—Sots-Art and Poetry
  2. p. 75
  1. Socialist Realism, a Postscriptum: Dmitrii Prigov and the Aesthetic Limits of Sots-Art
  2. pp. 77-106
  3. restricted access Download |
  1. Lev Rubinshtein's Early Conceptualism: The Programs of Works
  2. pp. 107-122
  3. restricted access Download |
  1. Transfiguration of Kitsch—Timur Kibirov's Sentiments: A Farewell Elegy for Soviet Civilization
  2. pp. 123-145
  3. restricted access Download |
  1. Iosif Vissarionovich Pushkin, or Sots-Art and the New Russian Poetry
  2. pp. 146-164
  3. restricted access Download |
  1. Part III—Sots-Art and Prose
  2. p. 165
  1. Vladimir Sorokin's "Theater of Cruelty"
  2. pp. 167-192
  3. restricted access Download |
  1. The Diary of a Writer from T
  2. pp. 193-210
  3. restricted access Download |
  1. Reading Palisandria: Of Menippean Satire and Sots-Art
  2. pp. 211-224
  3. restricted access Download |
  1. Viktor Pelevin and the End of Sots-Art
  2. pp. 225-237
  3. restricted access Download |
  1. Notes on Contributors
  2. pp. 239-241
  3. restricted access Download |
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.