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A wildly prolific director, actor, and writer, Vasilii Shukshin (1929-74) reached more Soviets in more media than perhaps any other artist in the post-Stalinist USSR. This first English-language study of Shukshin and his work is thus a portrait of the culture of Soviet Russia after Stalin. John Givens begins with Shukshin's position between cultural realms and social strata: his abandoned peasant heritage in Siberia as the son of a purged kulak on the one hand and his life as a successful artist in Moscow on the other. Givens shows how this clash of cultures and identities was both a burden and the driving force of Shukshin's art-and how it represents a central dichotomy between rural and urban culture in Soviet Russia.This work provides new terms for rereading the culture of Shukshin's time- terms that take up notions of demographic displacement, class difference, and blurred boundaries among genres, audiences, and arts.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
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  1. Preface
  2. pp. ix-xiv
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  1. Acknowledgments
  2. pp. xv-xvii
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  1. A Note on Sources
  2. p. xix
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  1. Introduction
  2. pp. 1-10
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  1. Chapter One: The Shukshin Legend
  2. pp. 11-28
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  1. Chapter Two: The Actor and the Writer
  2. pp. 29-43
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  1. Chapter Three: Shukshin’s Bright Souls
  2. pp. 44-56
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  1. Chapter Four: Unforgettably Strange People
  2. pp. 57-86
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  1. Chapter Five: Grotesque Characters
  2. pp. 87-111
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  1. Chapter Six: The Author and His Critics
  2. pp. 112-135
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  1. Chapter Seven: Return of the Prodigal Son
  2. pp. 136-152
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  1. Chapter Eight: Telling His Own Story
  2. pp. 153-170
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  1. Chapter Nine: The Search for Freedom:
  2. pp. 171-190
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  1. Conclusion: The Shukshin Legend Revisited
  2. pp. 191-199
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  1. Notes
  2. pp. 201-249
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  1. Select Bibliography
  2. pp. 251-260
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  1. Filmography
  2. pp. 261-262
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  1. Index
  2. pp. 263-267
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