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Planetary Noise: Selected Poetry of Erín Moure gathers four decades of poetry from a celebrated Canadian poet and translator who has persistently reconfigured the linguistic and material relations of English. Moure's poems and networked sequences are hybrid and often polylingual; they work with contradiction, paradox, and verbal detritus— linguistic hics and blips often too quickly dismissed as noise—to create new conditions for thought and pleasure. From postdramatic theatre to queer and feminist theory, from the politics of citizenship and genocide to the minutiae of digital poetics, from the clamor of love to the shadows of grief and memory, Moure has joyously toppled hierarchies of meaning and parasited dominant discourses to create poetry that crosses borders, embracing hope, not war. This volume, edited by poet and literary scholar Shannon Maguire, also features an extensive introduction to Moure's poetry, a section of poetry by others translated by Moure, and an afterword on translation by the poet. An online reader's companion is available at wesleyan.edu/wespress/readerscompanions.

Hardcover is un-jacketed.

Table of Contents

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  1. Cover
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  1. Half Title, Title Page, Copyright
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  1. Dear Reader
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  1. Contents
  2. pp. v-viii
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  1. Erín Moure: Poetry as Planetary Noise
  2. pp. ix-xxiv
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  1. Early Signals (First Cycle)
  1. Empire, York Street (1979)
  1. february: turn towards spring
  2. pp. 3-4
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  1. translation #1
  2. p. 5
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  1. photosynthesis
  2. p. 6
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  1. Wanted Alive (1983)
  1. Bird
  2. p. 7
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  1. Subliminal Code
  2. pp. 8-9
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  1. Domestic Fuel (1985)
  1. Philosophy of Language
  2. p. 10
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  1. Jump over the Gate
  2. pp. 11-12
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  1. Lunge
  2. pp. 13-14
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  1. Furious (1988)
  1. Snow Door
  2. pp. 15-16
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  1. A History of Vietnam . . .
  2. p. 17
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  1. Pure Writing Is a Notion beyond the Pen
  2. pp. 18-19
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  1. Unfurled & Dressy
  2. p. 20
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  1. from The Acts
  2. pp. 21-26
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  1. Civic Signals (A Noise Cycle)
  1. WSW (West South West) (1989)
  1. Hello to a Dog
  2. p. 29
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  1. The Jewel
  2. pp. 30-34
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  1. The Beauty of Furs
  2. p. 35
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  1. The Beauty of Furs: A Site Glossary
  2. p. 36
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  1. Seebe
  2. pp. 37-40
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  1. Excess
  2. pp. 41-46
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  1. Sheepish Beauty, Civilian Love (1992)
  1. Song of a Murmur
  2. pp. 47-50
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  1. Noise Rises (Citizen Trilogy + Pillage Laud)
  1. Search Procedures (1996)
  1. from Search Procedures, or Lake This
  2. pp. 53-57
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  1. The Notification of Birches
  2. pp. 58-62
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  1. A Frame of The Book / The Frame of A Book (1999)
  1. The Splendour
  2. pp. 63-65
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  1. from Calor
  2. pp. 66-69
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  1. O Cidadán (2002)
  1. Georgette
  2. p. 70
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  1. document15 (differential plane)
  2. p. 71
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  1. document22 (wound throat)
  2. p. 72
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  1. document32 (inviolable)
  2. p. 73
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  1. Thirteenth Catalogue of the Maternity of Harms
  2. p. 74
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  1. Georgette
  2. p. 75
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  1. document37 (no tempo das fronteiras)
  2. p. 76
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  1. sovereign body39 (vis-à-vis)
  2. p. 77
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  1. document40 (vocais abertas)
  2. p. 78
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  1. Sixteenth Catalogue of the Sorbas of Harms
  2. p. 79
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  1. 3.38%
  2. p. 80
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  1. document46 (cara negra)
  2. p. 81
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  1. Hazard Non <bis>
  2. p. 82
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  1. Pillage Laud (1999, 2011)
  1. from Pillage8 (“Rachel-Julien”) “What had so meaningless a book sheltered?”
  2. p. 83
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  1. from Pillage9 (“Burnside”) “The differing ward is my beginning.”
  2. p. 84
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  1. from To Exist “When to exist is reading”
  2. pp. 85-86
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  1. Aturuxos Calados (Galician Cycle)
  1. Little Theatres (2005)
  1. from Eight Little Theatres of the Cornices
  2. pp. 89-93
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  1. “Theatre needs hope” quote
  2. p. 94
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  1. from The First Story of Latin (os araos)
  2. pp. 95-96
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  1. from Late Snow of May—poemas de auga
  2. p. 97
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  1. O Cadoiro (2007)
  1. “I ll never master the art of poetry. I”
  2. p. 98
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  1. “The world s not a home I can swear allegiance to”
  2. p. 99
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  1. “Mother, keep me from going to San Seruando, because”
  2. p. 100
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  1. “If I see the ocean, it flows”
  2. p. 101
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  1. “I m not pleading any thread of love”
  2. p. 102
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  1. “That day I lost your ring”
  2. p. 103
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  1. devenue le sujet spectral: L´YRIC POETR´Y
  2. pp. 104-105
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  1. “I m going to walk to the mountain. As if ”
  2. p. 106
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  1. Resonant Impostors: Expeditions of a Chimæra (2009): from “Airways”
  2. Oana Avasilichioaei, Erín Moure
  3. pp. 107-112
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  1. An Absolute Clamorous Din (Ukrainian Cycle)
  1. O Resplandor (2010)
  1. Evocation
  2. p. 115
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  1. Splay with a Stone
  2. p. 116
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  1. from Crónica One
  2. pp. 117-119
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  1. Doubled Elegy, Ethical
  2. p. 120
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  1. “break simply with grief’s cane”
  2. pp. 121-129
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  1. The Unmemntioable (2012)
  1. “Doors screen wet . . .”
  2. p. 130
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  1. Heroides
  2. p. 131
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  1. “The Photographer of emigrants.”
  2. p. 132
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  1. “What is that Erín Moure writing…”
  2. p. 133
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  1. “In her spires of ink…”
  2. p. 134
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  1. “It occurs to me that I must write E.M.’s poems…”
  2. p. 135
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  1. Ars Amatori
  2. p. 136
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  1. Consolatio ad L’vivium
  2. p. 137
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  1. “Experience appears in this world…”
  2. p. 138
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  1. Kapusta (2015)
  1. from Act 2, Scenes 2 and 3 “Something is trying to crawl...”
  2. pp. 139-141
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  1. Surgery Lessñn
  2. pp. 142-146
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  1. Polyresonances (Transborder Noise)
  1. from Insecession (an echolation of Chus Pato’s Secession, 2014)
  1. The House Which Is Not Extension but Dispositio Itself
  2. pp. 149-150
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  1. Works of Other Poets in Moure Translation
  1. Chus Pato (Galicia), from “We Wish We Were Birds . . .”
  2. pp. 151-152
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  1. Andrés Ajens (Chile), “so lair storm, inti myi semblable.”
  2. p. 153
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  1. Wilson Bueno (Brazil), “one dusk après une autre”
  2. p. 154
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  1. Nicole Brossard (Québec), “Suggestions Heavy-Hearted”
  2. p. 155
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  1. Emma Villazón (Bolivia), “Wavering Before The Water”
  2. p. 156
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  1. Chus Pato (Galicia), from “While I’m Writing”
  2. p. 157
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  1. Rosalía de Castro (Galicia), “Today or tomorrow…”
  2. pp. 158-159
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  1. Fernando Pessoa (Portugal), “XI Some Woman Out There Has a Piano”
  2. p. 160
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  1. Emit
  1. Postface
  2. pp. 163-168
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  1. Acknowledgments and Credits
  2. pp. 169-170
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  1. Bibliography
  1. Works Cited
  2. pp. 171-176
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  1. Further Reading
  2. pp. 176-179
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  1. About the Contributors
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