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These three essays were inspired by the Samothracian discoveries. Cyriacus of Ancona's visit to the island and his assessment of what he saw are the subject of the opening essay. This is followed by the first detailed and comprehensive analysis of Mantegna’s Parnassus, a painting which Mrs. Lehmann suggests reflects in its theme and imagery the use of a limited number of ancient sculptures and texts. The final essay is a discussion of the postclassical transformation of the iconographic type of the ancient ship-fountain.

Originally published in 1973.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Preface
  2. Phyllis Williams Lehmann
  3. pp. vii-x
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  1. Contents
  2. pp. xi-xii
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  1. Abbreviations
  2. pp. xiii-xiv
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  1. List of Illustrations
  2. pp. xv-xxiv
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  1. I. Cyriacus of Ancona's Visit to Samothrace
  2. pp. 1-56
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  1. II. The Sources and Meaning of Mantegna's Parnassus
  2. pp. 53-178
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  1. III. The Ship-Fountain from the Victory of Samothrace to the Galera
  2. pp. 179-260
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  1. Index of Monuments
  2. pp. 261-268
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  1. General Index
  2. pp. 269-278
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  1. Image Plates
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