Cover

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Title Page, Copyright

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pp. i-iv

Contents

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pp. v-vi

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Acknowledgments

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pp. vii-2

More than any project I’ve worked on, this book reflects my belief that art impacts—and helps us to understand—our world. It’s a luxury to be surrounded by art in all of its forms, and, in the case of this book, to work with so many people who have helped me to better express this...

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Introduction. Outside Theater

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pp. 3-31

A rogue priest, a veritable jester from colonial times, is brought to life on a Mexico City stage to interrogate the use of religious imagery in present-day political campaigns. In 1905, an ally of the perennially elected dictator Porfirio Díaz writes and subsequently stages a surprisingly revolutionary...

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1. Allies in 1822: Humoring the Limits of Colonial Mexico

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pp. 32-53

The beginnings of Mexican Independence were marked by the presence of Spanish forces in Veracruz, a Mexican emperor (Agustín de Iturbide) who had battled brutally on the side of Spain for most of his military career, and the unpleasant sensation among many that the more...

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2. Performing the Porfiriato: Federico Gamboa and Allied Negotiation

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pp. 54-77

A president com es to power under questionable circumstances with the support of conservative forces in Mexico and abroad. Pro-business and other major newspapers publish editorials in the United States that hail the newly elected leader as a friend of progress, while in Mexico the political...

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3. Zoot Suit Allies and the “Arizona Law”

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pp. 78-105

Night after night at the Mexico City production of Luis Valdez’s play Zoot Suit, when the character Smiley tells Hank that he is going to move his family to Arizona, the crowd of Mexican spectators “explodes in a unified thunderous response,” writes Alma Martinez, the Facebook voice...

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4. Moderating the “Ignorant Masses” and the Emergence of Internet Allies

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pp. 106-129

Theater holds a mirror up to the audience. Sometimes it does so literally, as at the end of Ariel Dorfman’s play La muerte y la doncella, where in the last scene, after the audience has witnessed a South American torture trial unfold on stage, a large mirror is lowered. Audience members see...

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5. Documentary Allies: Sabina Berman and Victor Hugo Rascón Banda

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pp. 130-157

When Sabina Berman invited the mothers of a group of young men and women who had been kidnapped from a Mexico City nightclub (and later murdered and buried on a ranch) to her TV Azteca program Shalalá (Anything Goes), she walked a fine line between journalistic...

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Conclusion. “A Veces el Pato Nada”: Educational Allies and Tools for Change

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pp. 158-172

This book is about Mexico , but it was a trip to Medellín, Colombia, that shook me from the cynical view that the social power of art is passé at best and at worst an escape valve to buttress the ever-regenerative status quo. My time in Medellín was expected to be one of those predictable...

Notes

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pp. 173-202

Works Cited

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pp. 203-214

Index

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pp. 215-224