Cover

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Frontmatter

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From Ballroom to DanceSport

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Contents

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p. v

Illustrations

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pp. vii-viii

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Acknowledgments

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pp. ix-x

I wish to thank the English department of Florida State University for allowing me a research leave in spring 2004, which enabled me to finish this project, as well as a Research and Creativity Award, which enabled me to travel and acquire necessary research materials. I owe a debt of thanks to several student assistants whose assistance in getting every little formatting ...

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1. The Contested Landscape of Ballroom Dance: Culture, Gender, Race, Class, and Nationality in Performance

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pp. 1-28

Two things prompt the writing of this book. First, there has been a resurgence in the popularity of ballroom dancing, as evidenced in the rapid incorporation of ballroom classes into physical education programs and the development of college scholarships; its incorporation into a boom of commercial films, such as the Australian Strictly Ballroom (1992), the Japanese ...

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2. Dancing through Different Worlds: An Autoethnography of the Interactive Body and Virtual Emotions in Ballroom Dance

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pp. 29-38

The following is a reflection on my own experiences of the nature of gendered and embodied interaction in the realm of competitive American-style ballroom dance, which is presented predominantly in the form of a video, funded through research grants from St. Lawrence University. Issues of femininity/masculinity, being subject-objects of the...

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3. Ballroom Dance and the Movies

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pp. 39-67

The transformation of ballroom into DanceSport to some extent is rootedin its popularity in contemporary films. There is a broad range of films that use a ballroom motif (see the appendix for a filmography of some of these).The ones that I focus on in this chapter are among the best known, and despite their multiple international origins (Japan, Australia, England), have...

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4. Paving the Road to the Olympics: Staging and Financing the Olympic Dream

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pp. 69-88

The above tirade of complaints regarding NBC’s coverage of and commentary on DanceSport’s debut as an officially recognized sport in the closing ceremonies of the Sydney Olympic Games in 2000 contextualizes this book, which deals with the transformation of ballroom dance as a recreational activity or art into a sport. Nevertheless, the less than complimentary commentary was far from the only problem in the showcasing ...

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5. Packaging Fantasy and Morality

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pp. 89-106

Kathy Gibbons, national secretary of DanceSport South Africa, teaches ballroom at East Side College in Troyeville, Johannesburg, and in some other schools in the city. She laments the fact that there are no boys in these classes, blaming fathers who choose to encourage their sons to play soccer and rugby instead.1 Yet an interesting facet of ballroom, whether in the international...

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6. Quo Vadis?

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pp. 107-119

In chapters 4 and 5, tracing the evolution of ballroom dance from a recreation or performance art into a competitive sport has served as a through which rhetorical constructions of gender, race, class, sexuality,and nationality may be critically examined. The point of the exercise has been less to bash this highly popular and demanding art and sport form...

Ballroom-Dance-Related Organizations

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pp. 121-124

Appendix: Filmography of Selected DanceSport and Ballroom Films

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pp. 125-137

Notes

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pp. 139-150

Bibliography

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pp. 151-159

Index

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pp. 161-167