In this Book

buy this book Buy This Book in Print
summary

The study of listening—aurality—and its relation to writing is the subject of this eclectic edited volume. Theorizing Sound Writing explores the relationship between sound, theory, language, and inscription. This volume contains an impressive lineup of scholars from anthropology, ethnomusicology, musicology, performance, and sound studies. The contributors write about sound in their ongoing work, while also making an intervention into the ethics of academic knowledge, one in which listening is the first step not only in translating sound into words but also in compassionate scholarship.

Table of Contents

restricted access Download Full Book
  1. Cover
  2. restricted access
    • Download PDF Download
  1. Half Title, Title Page, Copyright
  2. restricted access
    • Download PDF Download
  1. Contents
  2. pp. v-vi
  3. restricted access
    • Download PDF Download
  1. Acknowledgments
  2. pp. vii-viii
  3. restricted access
    • Download PDF Download
  1. The Splash of Icarus: Theorizing Sound Writing/Writing Sound Theory
  2. Deborah Kapchan
  3. pp. 1-22
  4. restricted access
    • Download PDF Download
  1. Part One: Writing Sound Theory
  1. 1. Musicology, Performativity, Acoustemology
  2. Suzanne G. Cusick
  3. pp. 25-45
  4. restricted access
    • Download PDF Download
  1. 2. Acoustic Palimpsests
  2. J. Martin Daughtry
  3. pp. 46-85
  4. restricted access
    • Download PDF Download
  1. 3. Writing the Magnified Musicking Moment
  2. Michelle Kisliuk
  3. pp. 86-114
  4. restricted access
    • Download PDF Download
  1. Part Two: Memoir and Metaphor as Method
  1. 4. Listening to Resonant Words
  2. Alex Waterman
  3. pp. 117-137
  4. restricted access
    • Download PDF Download
  1. 5. Sound Commitments: Extraordinary Stories
  2. Tomie Hahn
  3. pp. 138-141
  4. restricted access
    • Download PDF Download
  1. 6. Traffic Patterns
  2. David Henderson
  3. pp. 142-162
  4. restricted access
    • Download PDF Download
  1. 7. In My Solitude: Jazz Song as “Sound Writing”
  2. Carol Muller
  3. pp. 163-188
  4. restricted access
    • Download PDF Download
  1. Part Three: Theorizing Sound Writing
  1. 8. Women Out Loud: Religious Performance in Islamic Indonesia
  2. Anne K. Rasmussen
  3. pp. 191-215
  4. restricted access
    • Download PDF Download
  1. 9. “Where the Transcendent Breaks into Time”: Toward a Theology of Sound in Afro-Cuban Regla de Ochá
  2. Katherine Johanna Hagedorn
  3. pp. 216-232
  4. restricted access
    • Download PDF Download
  1. 10. Almost Imperceptible Rhythms and Stuff Like That: The Power of Affect in Live Performance
  2. Ana Pais
  3. pp. 233-250
  4. restricted access
    • Download PDF Download
  1. Part Four: Listening and Witness
  1. 11. Deadly Soundscapes: Scripts of Lethal Force and Lo-Fi Death
  2. Deborah Wong
  3. pp. 253-276
  4. restricted access
    • Download PDF Download
  1. 12. Listening Acts: Witnessing the Pain (and Praise) of Others
  2. Deborah Kapchan
  3. pp. 277-293
  4. restricted access
    • Download PDF Download
  1. Afterword: Sound Properties of the Written Word
  2. Michael Jackson
  3. pp. 294-308
  4. restricted access
    • Download PDF Download
  1. About the Contributors
  2. pp. 309-314
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 315-320
  3. restricted access
    • Download PDF Download
  1. Series Titles
  2. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.