In this Book

summary
Irish-American Autobiography opens a new window on the shifting meanings of Irishness over the twentieth century, by looking at a range of works that have never before been considered as a distinct body of literature. Opening with celebrity memoirs from athletes like boxer John L. Sullivan and ballplayer Connie Mack - written when the Irish were eager to put their raffish origins behind them - later chapters trace the many tensions, often unspoken, registered by Irish Americans who've told their life stories. New York saloonkeepers and South Boston step dancers set themselves against the larger culture, setting a pattern of being on the outside looking in. Even the classic 1950s TV comedy The Honeymooners speaks to the urban Irish origins, and the poignant sense of exclusion felt by its creator Jackie Gleason. Catholicism, so key to the identity of earlier generations of Irish Americans, has also evolved. One chapter looks at the painful diffidence of priest autobiographers, and others reveal how traditional Irish Catholic ideas of the guardian angel and pilgrimage have evolved and stayed potent down to our own time. Irish-American Autobiography becomes, in the end, a story of a continued search for connection - documenting an "ethnic fade" that never quite happened.

Table of Contents

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  1. Cover
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  1. Half Title, Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Introduction: The “Ethnic Fade” That Never Quite Happened
  2. pp. 1-8
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  1. 1. Sporting Gentlemen: The Memoirs of John L. Sullivan, James J. Corbett, and Connie Mack
  2. pp. 9-25
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  1. 2. Dancing Like Merry Hell: Barbara Mullen’s Life Is My Adventure
  2. pp. 26-40
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  1. 3. Joseph Mitchell’s Irish Imagination
  2. pp. 41-54
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  1. 4. The Honeymooners: Jackie Gleason’s Memoir of Brooklyn
  2. pp. 55-68
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  1. 5. A Culture of Diffidence: Mid-Century Irish-American Priests’ Autobiographies
  2. pp. 69-81
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  1. 6. Flowering Absences: Recent Irish Writers and Genealogical Dead Ends
  2. pp. 82-97
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  1. 7. ’Tis, Meaning Maybe: The Uncertain Last Words of Angela’s Ashes
  2. pp. 98-113
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  1. 8. “Someone Watching Your Back”: Guardian Angels in Michael Patrick MacDonald’s All Souls
  2. pp. 114-128
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  1. 9. Picture Windows: Irish-American Memoirs of the Suburbs
  2. pp. 129-142
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  1. 10. Secular Pilgrimages: Recent Irish-American Memoir and Journeys of Healing
  2. pp. 143-164
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  1. Bibliography
  2. pp. 165-180
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  1. Index
  2. pp. 181-184
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