In this Book

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. List of Illustrations
  2. pp. ix-xvi
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  1. Acknowledgments
  2. pp. xvii-xviii
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  1. Note to Reader
  2. pp. xix-2
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  1. 1. The Place of Rock Art in the Contemporary World
  2. Paul S.C. Taçon and Liam M. Brady
  3. pp. 23-34
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  1. 2. A Fabricated Past?: The Case of Nyero Rock Art Site, Kumi District, Uganda
  2. Catherine Namono
  3. pp. 35-56
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  1. 3. “What Rock Art?”: Stories from Northeast Thailand
  2. Noel Hidalgo Tan, Atthasit Sukkham, Gemma Boyle, Watinee Tanompolkrang, Jutinach Bowonsachoti, and Duangpond Singhaseni
  3. pp. 57-78
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  1. 4. What the Places Teach Us: Challenges for Cultural Tourism and Indigenous Stewardship of Rock Art Sites in the North American Midcontinent
  2. John Norder and Dagmara Zawadzka
  3. pp. 79-102
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  1. 5. “That Painting Now Is Telling Us Something”: Negotiating and Apprehending Contemporary Meaning in Yanyuwa Rock Art, Northern Australia
  2. Liam M. Brady and John J. Bradley
  3. pp. 103-126
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  1. 6. Parks, Petroglyphs, Fish, and Zuni: An Emotional Geography of Contemporary Human-Animal-Water Relationships
  2. Kurt E. Dongoske and Kelley Hays-Gilpin
  3. pp. 127-146
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  1. 7. Rock Art in South African Society Today
  2. Benjamin W. Smith
  3. pp. 147-176
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  1. 8. Inscribing History: The Complex Geographies of Bedouin Tribal Symbols in the Negev Desert, Southern Israel
  2. Davida Eisenberg-Degen, George H. Nash, and Joshua Schmidt
  3. pp. 177-208
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  1. 9. Land/People Relationships and the Future of Rock Art in the Laura Basin, Northeastern Australia
  2. Noelene Cole
  3. pp. 209-232
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  1. 10. From Science to Heritage: New Challenges for World Heritage Rock Art Sites in Mediterranean Spain in the Twenty-First Century
  2. Inés Domingo and Manuel Bea
  3. pp. 233-264
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  1. 11. Rock Art, Cultural Change, the Media, and National Heritage Identity in the Twenty-First Century
  2. Paul S.C. Taçon
  3. pp. 265-294
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  1. 12. Teaching and Learning about Rock Art in Argentina
  2. Dánae Fiore, Mariana Ocampo, and Agustín Acevedo
  3. pp. 295-326
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  1. 13. Recent Art History in Rock Country: Bark Painters Inspired by Rock Paintings
  2. Luke Taylor
  3. pp. 327-356
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  1. 14. Marks and Meeting Grounds
  2. Ursula K. Frederick
  3. pp. 357-382
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  1. 15. Establishing New Ground: Reflexive/Reflective Thinking and Plotting a Future for Studying Rock Art in Contemporary Contexts
  2. Liam M. Brady and Paul S.C. Taçon
  3. pp. 383-390
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  1. Contributors
  2. pp. 391-394
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  1. Index
  2. pp. 395-410
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Additional Information

ISBN
9781607324980
MARC Record
OCLC
962436685
Launched on MUSE
2016-11-19
Open Access
No
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