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One of America's most influential women writers, Anne Sexton has long been overshadowed by fellow confessional poets Sylvia Plath and Robert Lowell and is seldom featured in literary criticism. This volume reassesses Sexton and her poetry for the first time in two decades and offers directions for future Sexton scholarship.

With new access to her archives, the scholars and poets featured here consider Sexton's industry and her wide range of production. Five literary critics interpret her poetry in relation to photography, performance, poetry readings, the role of institutions, and midcentury culture. Five poets illuminate Sexton's poetic subjects, her responses to her contemporaries, and her legacy. Notable in presenting Sexton the educator and public figure, the contributors to This Business of Words reveal Sexton's efforts to build a successful career without a university education, consider her relationships with peers and various media, and interpret her strategies for teaching, critiquing poems, and delivering readings.

As its critical and creative perspectives intersect, this volume inspires new questions about Sexton's poems and how to interpret them. It maps the influence of Sexton's craft on twenty-first-century cultural contexts and emphasizes her continuing vitality.

Amanda Golden is assistant professor of English at New York Institute of Technology.
Contributors: Jeanne Marie Beaumont | Jeffery Conway | Jo Gill | Amanda Golden | Christopher Grobe | Anita Helle | Kamran Javadizadeh | Dorothea Lasky | Kathleen Ossip | David Trinidad | Victoria Van Hyning

Table of Contents

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  1. Cover
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  1. Half Title, Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. List of Figures
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Abbreviations
  2. pp. xi-xii
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  1. Introduction: Reassessing Anne Sexton
  2. Amanda Golden
  3. pp. 1-16
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  1. 1. “The house / of herself”: Reading Place and Space in the Poetry of Anne Sexton
  2. Jo Gill
  3. pp. 17-37
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  1. 2. Anne Sexton’s Photographic Self-Fashioning
  2. Anita Helle
  3. pp. 38-72
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  1. 3. Anne Sexton’s Institutional Voice
  2. Kamran Javadizadeh
  3. pp. 73-103
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  1. 4. Reading, Voice, and Performance: “The Freak Show” Revisited
  2. Victoria Van Hyning
  3. pp. 104-126
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  1. 5. From the Podium to the Second Row: The Vanishing Feel of an Anne Sexton Reading
  2. Christopher Grobe
  3. pp. 127-154
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  1. 6. “Two Sweet Ladies”: Anne Sexton and Sylvia Plath’s Friendship and Mutual Influence
  2. David Trinidad
  3. pp. 155-178
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  1. 7. Are We Fake? Images of Anne Sexton, Twentieth-Century Woman/Poet
  2. Kathleen Ossip
  3. pp. 179-195
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  1. 8. The Poet Has Collapsed: Coming to Terms with Anne Sexton’s Late Poetics and Public Persona
  2. Jeffery Conway
  3. pp. 196-217
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  1. 9. “The Speaker in This Case”: Anne Sexton as Tale-Teller in Transformations
  2. Jeanne Marie Beaumont
  3. pp. 218-247
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  1. 10. Anne Sexton and the Wild Animal: An Exploration of the Bestiary Poems
  2. Dorothea Lasky
  3. pp. 248-262
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  1. List of Contributors
  2. pp. 263-266
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  1. Index
  2. pp. 267-280
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