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This is the first systematic overview of Julia Kristeva’s vision and work in relation to philosophical modernity. It provides a clear, comprehensive, and interdisciplinary analysis of her thought on psychoanalysis, art, ethics, politics, and feminism in the secular aftermath of religion. Sara Beardsworth shows that Kristeva’s multiple perspectives explore the powers and limits of different discourses as responses to the historical failures of Western cultures, failures that are undergone and disclosed in psychoanalysis.

Table of Contents

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  1. Cover
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  1. Title Page
  2. p. iii
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  1. Copyright
  2. p. iv
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  1. CONTENTS
  2. pp. vii-viii
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  1. ACKNOWLEDGMENTS
  2. pp. ix-x
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  1. INTRODUCTION
  2. pp. 1-22
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  1. PART I: From the Revolutionary Standpoint to the Nihilism Problematic
  1. CHAPTER 1: The Early View of Psychoanalysis and Art
  2. pp. 25-53
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  1. CHAPTER 2: Primary Narcissism
  2. pp. 55-77
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  1. CHAPTER 3: Abjection
  2. pp. 79-93
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  1. CHAPTER 4: Primal Loss
  2. pp. 95-111
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  1. PART II: Religion and Art
  1. CHAPTER 5: The Powers and Limitations of Religion
  2. pp. 115-142
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  1. CHAPTER 6: The Kristevan Aesthetic
  2. pp. 143-166
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  1. PART III: The Social and Political Implications of Kristeva’s Thought
  1. CHAPTER 7: Ethics and Politics
  2. pp. 169-215
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  1. CHAPTER 8: Kristeva’s Feminism
  2. pp. 217-266
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  1. CONCLUSION
  2. pp. 267-275
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  1. NOTES
  2. pp. 277-286
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  1. BIBLIOGRAPHY
  2. pp. 287-294
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  1. INDEX
  2. pp. 295-309
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