In this Book

summary
Tracing an ambivalence toward pleasure from the early modern to the modern era, McEleney shows how contemporary critics have recapitulated Renaissance humanist ideals about aesthetic value. Against a longstanding tradition that defensively advocates for the redemptive utility of literature, Futile Pleasures both theorizes and performs the queer pleasures of futility, arguing that in playing with futility we may be able to move beyond the impasses that modern humanists, like their early modern counterparts, have always faced.

Table of Contents

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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-x
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  1. Futilitarianism: An Introduction
  2. pp. 1-14
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  1. 1. Pleasure without Profit
  2. pp. 15-36
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  1. 2. Bonfire of the Vanities
  2. pp. 37-64
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  1. 3. Art for Nothing’s Sake
  2. pp. 65-101
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  1. 4. Spenser’s Unhappy Ends
  2. pp. 102-126
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  1. 5. Beyond Sublimation
  2. pp. 127-160
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  1. Coda: Less Matter, More Art
  2. pp. 161-169
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  1. Acknowledgments
  2. pp. 170-172
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  1. Notes
  2. pp. 173-216
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  1. Bibliography
  2. pp. 217-236
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  1. Index
  2. pp. 237-246
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