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“Mohja Kahf ’s Hagar Poems is brilliantly original in its conception, thrillingly artful in its execution. Its range is immense, its spiritual depth is profound, it negotiates its shifts between archaic and the contemporary with utmost skill. There’s lyricism, there’s satire, there’s comedy, there’s theology of a high order in this book.”

—Alicia Ostriker, author of For the Love of God: The Bible as an Open Book

“Hagar/ Hajar the immigrant/exile/outcast/refugee mother of a people is given multiple voices and significance in Mohja Kahf’s new book of dramatic monologues, which also reinvents Pharaoh’s daughter, Zuleika, Aïsha, and Mary in poems that are at once lively and learned, agnostic and devout. The sequence on an American mosque, and the poet’s ambivalent love for what it represents, is unique in American poetry.”

—Marilyn Hacker, author of A Stranger’s Mirror

“‘Where have all the goddesses gone,’ writes Mohja Kahf, ‘I tracked down Isis / incognito on Cyprus. /She told me Ishtar / lived under the radar / in southern Iraq. . . .’ In Hagar Poems, Mohja Kahf’s hallmark qualities—irreverence, imagination, wit, poignancy—are all exuberantly in evidence. A wonderful read.”

—Leila Ahmed, author of A Quiet Revolution: The Veil’s Resurgence, from the Middle East to America

“This brilliant collection captures all the ‘patient threading of relationship’ between Hagar and Sarah as between women, and then between women and men, between human and God. . . . At every turn of the page [Kahf] refuses complacency and circumstance but opts instead for exposing the tenuousness of threads that tie and bind and then come loose before our eyes.”

—From the foreword by Amina Wadud


The central matter of this daring new collection is the story of Hagar, Abraham, and Sarah—the ancestral feuding family of Judaism, Christianity, and Islam.

These poems delve into the Hajar story in Islam. They explore other figures from the Near Eastern heritage, such as Mary and Moses, and touch on figures from early Islam, such as Fatima and Aisha. Throughout, there is artful reconfiguring. Readers will find sequels and prequels to the traditional narratives, along with modernized figures claimed for contemporary conflicts.

Hagar Poems is a compelling shakeup of not only Hagar’s story but also of current roles of all kinds of women in all kinds of relationships.

Table of Contents

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  1. Cover
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  1. Half Title, Title Page, Copyright, Dedication
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  1. Foreword
  2. Amina Wadud
  3. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Contents
  2. pp. xi-xiv
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  1. i.
  1. The Water of Hajar
  2. p. 3
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  1. The First Thing
  2. pp. 4-5
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  1. Hajar, First Woman on the Moon
  2. pp. 6-7
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  1. Hajar in America
  2. p. 8
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  1. Professor and Mrs. Abraham
  2. p. 9
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  1. Hajar Writes a Letter to Sarah as a Cathartic Exercise Suggested by Her Therapist
  2. pp. 10-11
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  1. Page Found Crumpled in the Wastebasket by Hajar’s Writing Desk
  2. p. 12
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  1. Kin
  2. pp. 13-14
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  1. From Sarah’s Egypt Diary
  2. p. 15
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  1. Sarah’s Laugh II
  2. pp. 16-17
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  1. Hajar’s Ram
  2. p. 18
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  1. Isaac Wakes Up to Ismaïl and Hagar Terrorizing the House
  2. pp. 19-20
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  1. Hagar No Roses
  2. pp. 21-22
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  1. Hajar at the AIDS March
  2. p. 23
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  1. Hajar’s Sandals
  2. p. 24
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  1. The Caseworker Visits Abraham and Sarah
  2. p. 25
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  1. Hagar Dreamwork: The Therapist’s Notes
  2. p. 26
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  1. At the Snowcap
  2. p. 27
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  1. The Fire of Hajar II
  2. p. 28
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  1. Postcards from Hajar, a Correspondence in Four Parts
  2. pp. 29-31
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  1. The Threshold
  2. p. 32
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  1. All Good
  2. pp. 33-35
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  1. Knowing at Arafat
  2. p. 36
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  1. The Kaba’s Lap
  2. p. 37
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  1. Lifting the Hajar Heel
  2. p. 38
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  1. Hajar Triumphant
  2. p. 39
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  1. Hajar Enters the Garden, Well-Pleased and Well-Pleasing
  2. pp. 40-42
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  1. Hagar Begone
  2. p. 43
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  1. Hajar Thorn
  2. p. 44
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  1. ii.
  1. Asiya Is Waiting for a Sign
  2. pp. 47-48
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  1. Asiya’s Aberrance (Nushuz Asiya)
  2. pp. 49-50
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  1. Daughter of the Pharisees
  2. p. 51
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  1. The Last Day before Asiya’s Nervous Breakdown
  2. pp. 52-53
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  1. Asiya Meets Miriam at the Riverbank
  2. pp. 54-55
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  1. The Red Fish
  2. pp. 56-57
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  1. Arab and Hebrew Flow and Cross Over
  2. p. 58
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  1. Among the Midianites on U.S. 31
  2. pp. 59-60
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  1. Balqis Makes Solomon Sign a Pre-Nup
  2. pp. 61-62
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  1. Zuleikha Ionic
  2. pp. 63-64
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  1. Zuleikha Tantra
  2. pp. 65-66
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  1. The Ladies of the City
  2. p. 67
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  1. The Zuleikha Hotline
  2. p. 68
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  1. Mary Phones Her Old High School Teacher from the University Library at 4 a.m.
  2. pp. 69-70
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  1. Mary’s Glade
  2. p. 71
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  1. Not the Same
  2. p. 72
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  1. Riverbank
  2. pp. 73-74
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  1. The Food of Mary
  2. pp. 75-76
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  1. Khadija Gets Her Groove Back
  2. p. 77
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  1. Our Lady of the Sorrows
  2. p. 78
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  1. Aisha of the Pearls
  2. p. 79
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  1. Aisha Fails the Good Housekeeping Seal
  2. p. 80
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  1. Aisha: The Islamic Inquirer exclusive
  2. p. 81
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  1. Breaking: Aisha Claims to Be Post-Feminism
  2. pp. 82-83
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  1. Nusaiba at Uhud
  2. p. 84
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  1. Bilal’s Mother
  2. p. 85
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  1. iii.
  1. The Black Stone of My Heart
  2. p. 91
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  1. From a Former Grad Student of Imam Ibn al-Qayyim
  2. p. 92
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  1. The Near Eastern Goddess Alumnae Office . . .
  2. pp. 93-94
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  1. The Mihrab of the Mind
  2. p. 95
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  1. Most Wanted
  2. p. 96
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  1. Tortoise Prayer
  2. p. 97
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  1. Little Mosque Poems
  2. pp. 98-108
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  1. References
  2. p. 109
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