In this Book

summary
For more than forty years, Guy Clark has been writing and recording unforgettable songs. His lyrics and melodies paint indelible portraits of the people, places, and experiences that shaped him. He has served as model, mentor, supporter, and friend to at least two generations of the world’s most talented and influential singer-songwriters. In songs like “Desperadoes Waiting for a Train,” “The Randall Knife,” “She Ain’t Goin’ Nowhere,” and “Texas, 1947,” Clark’s poetic mastery has given voice to a vision of life, love, and trouble that has resonated not only with fans of Americana music, but also with the prominent artists—including Johnny Cash, Ricky Skaggs, Jerry Jeff Walker, and others—who have recorded and performed Clark’s music.

Now, in Without Getting Killed or Caught: The Life and Music of Guy Clark, writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy-nominated album This One’s for Him: A Tribute to Guy Clark. Part memoir, part biography, Saviano’s skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting  emotions that make up the life of this modern-day poet and troubadour.

Table of Contents

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  1. Cover
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  1. Half Title, Frontispiece, Title Page, Copyright, In Memoriam
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xvi
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  1. Acknowledgments
  2. pp. xvii-xx
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  1. Prologue
  2. pp. 1-2
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  1. Part One: The Beginning
  1. Chapter One: Monahans
  2. pp. 5-31
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  1. Chapter Two: The South Coast of Texas
  2. pp. 32-55
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  1. Chapter Three: Kennedy, Hurricane Carla, and the Peace Corps
  2. pp. 56-64
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  1. Chapter Four: Houston
  2. pp. 65-89
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  1. Chapter Five: Bunny, Susanna, San Francisco, and Los Angeles
  2. pp. 90-110
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  1. Part Two: Nashville, 1972–1997
  1. Chapter Six: Outlaws and Poets
  2. pp. 113-141
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  1. Chapter Seven: The RCA Years
  2. pp. 142-165
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  1. Chapter Eight: The Warner Years
  2. pp. 166-188
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  1. Chapter Nine: Fresh Voices and Old Friends
  2. pp. 189-216
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  1. Chapter Ten: Hangin’ Your Life on the Wall
  2. pp. 217-236
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  1. Chapter Eleven: Americana Music Comes to Town
  2. pp. 237-258
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  1. Chapter Twelve: To Live Is to Fly
  2. pp. 259-280
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  1. Part Three: Guy and Me, 1998–Present
  1. Chapter Thirteen: Always Trust Your Cape
  2. pp. 283-299
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  1. Chapter Fourteen: Exposé
  2. pp. 300-324
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  1. Chapter Fifteen: My Favorite Picture of You
  2. pp. 325-348
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  1. Epilogue
  2. pp. 349-352
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  1. Notes on Sources
  2. pp. 353-372
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  1. Lyric Credits: Used With Permission
  2. pp. 373-376
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  1. Index
  2. pp. 377-393
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  1. Gallery of Images
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