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Vladimir Nabokov described the literature course he taught at Cornell as "a kind of detective investigation of the mystery of literary structures." Leona Toker here pursues a similar investigation of the enigmatic structures of Nabokov's own fiction. According to Toker, most previous critics stressed either Nabokov’s concern with form or the humanistic side of his works, but rarely if ever the two together. In sensitive and revealing readings of ten novels, Toker demonstrates that the need to reconcile the human element with aesthetic or metaphysical pursuits is a constant theme of Nabokov’s and that the tension between technique and content is itself a key to his fiction. Written with verve and precision, Toker’s book begins with Pnin and follows the circular pattern that is one of her subject’s own favored devices.

Table of Contents

  1. Cover
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  1. Cover
  2. p. i
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  1. Title Page, Copyright, Dedication, Epigraph
  2. pp. i-vi
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  1. Title Page
  2. p. iii
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  1. Contents
  2. pp. vii-viii
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  1. Dedication
  2. p. v
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  1. Preface
  2. pp. ix-xii
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  1. Epigraph
  2. p. vi
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  1. Abbreviations
  2. pp. xiii-xvi
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  1. 1. Introduction
  2. pp. 1-20
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  1. Preface
  2. pp. ix-xii
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  1. 2. Pnin: The Quest That Overrides the Goal
  2. pp. 21-35
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  1. Abbreviations
  2. pp. xiii-xv
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  1. 3. Mary: "Without Any Passport"
  2. pp. 36-46
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  1. 1. Introduction
  2. pp. 1-20
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  1. 4. King, Queen, Knave, or Lust under the Linden
  2. pp. 47-66
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  1. 2. Pnin: The Quest That Overrides the Goal
  2. pp. 21-35
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  1. 5. The Defense: Secret Asymmetries
  2. pp. 67-87
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  1. 3. Mary: “Without Any Passport”
  2. pp. 36-46
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  1. 6. Glory: "Good Example of How Metaphysics Can Fool You"
  2. pp. 88-106
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  1. 4. King, Queen, Knave, or Lust under the Linden
  2. pp. 47-66
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  1. 7. Laughter in the Dark: Guinea Pigs and Galley Slaves
  2. pp. 107-122
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  1. 5. The Defense: Secret Asymmetries
  2. pp. 67-87
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  1. 8. Invitation to a Beheading: "Nameless Existence, Intangible Substance"
  2. pp. 123-141
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  1. 6. Glory: “Good Example of How Metaphysics Can Fool You”
  2. pp. 88-94
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  1. 9. The Gift: Models of Infinity
  2. pp. 142-176
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  1. 7. Laughter in the Dark: Guinea Pigs and Galley Slaves
  2. pp. 107-122
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  1. 10. Bend Sinister: The "Inner" Problem
  2. pp. 177-197
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  1. 8. Invitation to a Beheading: “Nameless Existence, Intangible Substance”
  2. pp. 123-141
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  1. 11. "Reader! Bruder!": Broodings on the Rhetoric of Lolita
  2. pp. 198-227
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  1. 9. The Gift: Models of Infinity
  2. pp. 142-176
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  1. 12. Conclusion
  2. pp. 228-230
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  1. 10. Bend Sinister: The “Inner” Problem
  2. pp. 177-197
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  1. Bibliography of Works Cited
  2. pp. 231-238
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  1. 11. “Reader! Bruder!”: Broodings on the Rhetoric of Lolita
  2. pp. 198-227
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  1. Index
  2. pp. 239-245
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  1. 12. Conclusion
  2. pp. 228-230
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  1. Bibliography of Works Cited
  2. pp. 231-238
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  1. Index
  2. pp. 239-244
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  1. Copyright
  2. p. iv
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