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Illustrated with interesting examples drawn from politics and art, The Idea of Identification draws on classical social and rhetorical theories to establish a systematic framework for understanding the varieties and forms of identification. Woodward references a variety of contexts in contemporary life to explore the rhetorical conditions that create powerful and captivating moments. By invoking the influential ideas of Kenneth Burke, George Herbert Mead, Joshua Meyrowitz and others, he shows how the rhetorical process of identification is separate from psychological theories of identity construction. Woodward concludes with an argument that film theory has perhaps offered the most vivid descriptive categories for understanding the bonds of identification.

Table of Contents

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  1. Cover
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  1. Title Page and Copyright Page
  2. pp. i-v
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  1. CONTENTS
  2. p. vii
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  1. PREFACE
  2. pp. ix-xii
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  1. Chapter 1: Origins of an Idea
  2. pp. 1-19
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  1. Chapter 2: Conceptualizing Identification: Extensions of a Burkean View
  2. pp. 21-43
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  1. Chapter 3: Identification, Celebrity, and the Hollywood Film
  2. pp. 45-69
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  1. Chapter 4: Serenades to the Resistant: Successful Uses of Identification
  2. pp. 71-95
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  1. Chapter 5: Misidentification and its Sources
  2. pp. 97-119
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  1. Chapter 6: Identification and Commitment in Civic Culture
  2. pp. 121-145
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  1. NOTES
  2. pp. 147-169
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  1. INDEX
  2. pp. 171-176
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