In this Book

buy this book Buy This Book in Print
summary

In an original and provocative reading of Vladimir Nabokov's work and the pleasures and perils to which its readers are subjected, Eric Naiman explores the significance and consequences of Nabokov's insistence on bringing the issue of art's essential perversity to the fore. Nabokov's fiction is notorious for the interpretive panic it occasions in its readers, the sense that no matter how hard he or she tries, the reader has not gotten Nabokov "right." At the same time, the fictions abound with characters who might be labeled perverts, and questions of sexuality lurk everywhere. Naiman argues that the sexual and the interpretive are so bound together in Nabokov's stories and novels that the reader confronts the fear that there is no stable line between good reading and overreading, and that reading Nabokov well is beset by the exhilaration and performance anxiety more frequently associated with questions of sexuality than of literature. Nabokov's fictions pervert their readers, obligingly training them to twist and turn the text in order to puzzle out its meanings, so that they become not better people but closer readers, assuming all the impudence and potential for shame that sexually oriented close-looking entails.

In Nabokov, Perversely, Naiman traces the connections between sex and interpretation in Lolita (which he reads as a perverse work of Shakespeare scholarship), Pnin, Bend Sinister, and Ada. He examines the roots of perverse reading in The Defense and charts the enhanced attention to the connection between sex and metafiction in works translated from the Russian. He also takes on books by other authors—such as Reading Lolita in Tehran—that misguidedly incorporate Nabokov's writing within frameworks of moral usefulness. In a final, extraordinary chapter, Naiman reads Dostoevsky's The Double with Nabokov-trained eyes, making clear the power a strong writer can exert on readers.

In an original and provocative reading of Vladimir Nabokov's work and the pleasures and perils to which its readers are subjected, Eric Naiman explores the significance and consequences of Nabokov's insistence on bringing the issue of art's essential perversity to the fore. Nabokov's fiction is notorious for the interpretive panic it occasions in its readers, the sense that no matter how hard he or she tries, the reader has not gotten Nabokov "right." At the same time, the fictions abound with characters who might be labeled perverts, and questions of sexuality lurk everywhere.Naiman argues that the sexual and the interpretive are so bound together in Nabokov's stories and novels that the reader confronts the fear that there is no stable line between good reading and overreading, and that reading Nabokov well is beset by the exhilaration and performance anxiety more frequently associated with questions of sexuality than of literature. Nabokov's fictions pervert their readers, obligingly training them to twist and turn the text in order to puzzle out its meanings, so that they become not better people but closer readers, assuming all the impudence and potential for shame that sexually oriented close-looking entails.In Nabokov, Perversely, Naiman traces the connections between sex and interpretation in Lolita (which he reads as a perverse work of Shakespeare scholarship), Pnin, Bend Sinister, and Ada. He examines the roots of perverse reading in The Defense and charts the enhanced attention to the connection between sex and metafiction in works translated from the Russian. He also takes on books by other authors—such as Reading Lolita in Tehran—that misguidedly incorporate Nabokov's writing within frameworks of moral usefulness. In a final, extraordinary chapter, Naiman reads Dostoevsky's The Double with Nabokov-trained eyes, making clear the power a strong writer can exert on readers.

Table of Contents

restricted access Download Full Book
  1. Cover
  2. restricted access
    • Download PDF Download
  1. Title Page, Copyright
  2. pp. i-vi
  3. restricted access
    • Download PDF Download
  1. Contents
  2. pp. vii-x
  3. restricted access
    • Download PDF Download
  1. Introduction
  2. pp. 1-14
  3. restricted access
    • Download PDF Download
  1. Part One: Sexual Orientation
  1. 1. A Filthy Look at Shakespeare’s Lolita
  2. pp. 17-45
  3. restricted access
    • Download PDF Download
  1. 2. Art as Afterglow (Bend Sinister)
  2. pp. 46-73
  3. restricted access
    • Download PDF Download
  1. 3. Perversion in Pnin
  2. pp. 74-104
  3. restricted access
    • Download PDF Download
  1. 4. Hermophobia (On Sexual Orientation and Reading Nabokov)
  2. pp. 105-132
  3. restricted access
    • Download PDF Download
  1. Part Two: Setting Nabokov Straight
  1. 5. Reading Chernyshevsky in Tehran: Nabokov and Nafisi
  2. pp. 135-147
  3. restricted access
    • Download PDF Download
  1. 6. Lolita in the Real World
  2. pp. 148-160
  3. restricted access
    • Download PDF Download
  1. 7. Blackwell’s Paradox and Fyodor’s Gift: A Kinder and Gentler Nabokov
  2. pp. 161-178
  3. restricted access
    • Download PDF Download
  1. Part Three: Reading Preposterously
  1. 8. Litland: The Allegorical Poetics of The Defense
  2. pp. 181-220
  3. restricted access
    • Download PDF Download
  1. 9. The Costs of Character: The Maiming of the Narrator in “A Guide to Berlin”
  2. pp. 221-232
  3. restricted access
    • Download PDF Download
  1. 10. The Meaning of “Life”: Nabokov in Code (King, Queen, Knave and Ada)
  2. pp. 233-268
  3. restricted access
    • Download PDF Download
  1. Epilogue. What If Nabokov Had Written “The Double”: Reading Dostoevsky after Nabokov
  2. pp. 269-284
  3. restricted access
    • Download PDF Download
  1. Acknowledgments
  2. pp. 285-286
  3. restricted access
    • Download PDF Download
  1. Bibliography
  2. pp. 287-300
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 301-305
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.