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Floriane Place-Verghnes examines the work of this great American animator. Focusing primarily on four facets of Avery's work, the author first concentrates on Avery's ability to depict the American attempt both to retrieve the past nostalgically and to catch the Zeitgeist of 1940s America, which confronts the questions of violence and survival. She also analyzes issues of sex and gender and the crucial role Hollywood played in reshaping the image of womanhood, reducing it to a bipolar opposition. Thirdly, she examines the comic language developed by Avery which, although drawing on the work of the Marx Brothers and Chaplin (among others), transcended their conventions. Finally, Place-Verghnes considers Avery's place in the history of cartoon-making technique.

Table of Contents

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  1. Cover
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  1. Half title, Dedication, Title page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgements
  2. pp. vii-viii
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  1. Introduction
  2. pp. 1-6
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  1. Section 1 - A Foreword On the Generic Context
  2. pp. 7-8
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  1. Chapter I The Cartoon-Making Technique
  2. pp. 9-18
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  1. Chapter II The Cartoon Before Tex
  2. pp. 19-34
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  1. Section 2 - The Uniqueness of Tex Avery's Testimony
  2. pp. 35-38
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  1. Chapter III Tex Avery's Americanness: An Attempt to Retrieve the Past
  2. pp. 39-50
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  1. Chapter IV Facing Contemporary Politics
  2. pp. 51-68
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  1. Chapter V Tex Avery's Unique Viewpoint on Good, Evil, and Morality
  2. pp. 69-88
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  1. Section 3 - On Sex and Gender
  2. pp. 89-92
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  1. Chapter VI Freudian Pansexualism: Concepts of Activity/Passivity
  2. pp. 93-102
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  1. Chapter VII Reduction of Womanhood Into Two Types: The Destructive Power of Women
  2. pp. 103-118
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  1. Chapter VIII Oedipal Relationships and Their Consequences
  2. pp. 119-128
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  1. Section 4 - Tex Avery's Unique Comic Strategies
  2. pp. 129-130
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  1. Chapter IX The Burlesque Heritage
  2. pp. 131-144
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  1. Chapter X Towards a Pragmatic Relation With the Audience
  2. pp. 145-162
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  1. Chapter XI The Provisional Nature of the Averyan Universe
  2. pp. 163-178
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  1. Conclusion
  2. pp. 179-184
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  1. Filmography - Tex Avery's Cartoons: The MGM Years (1942-1955)
  2. pp. 185-200
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  1. Bibliography/Further reading
  2. pp. 201-208
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  1. Index
  2. pp. 209-214
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  1. Back Cover
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