In this Book

summary
In readings of Walter Benjamin's work, religion often marks a boundary between scholarly camps, but it rarely receives close and sustained scrutiny. Benjamin's most influential writings pertain to modern art and culture, but he frequently used religious language while rejecting both secularism and religious revival. Benjamin was, in today's terms, postsecular. Postsecular Benjamin explicates Benjamin's engagements with religious traditions as resources for contemporary debates on secularism, conflict, and identity. Brian Britt argues that what animates this work on tradition is the question of human agency, which he pursues through lively and sustained experimentation with ways of thinking, reading, and writing.

Table of Contents

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  1. Cover
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  1. Half-title, Title page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. List of Illustrations
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xii
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  1. Abbreviations
  2. pp. xiii-xiv
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  1. Introduction
  2. pp. 3-16
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  1. Chapter 1. Benjamin’s Baroque and the Culture Wars
  2. pp. 17-38
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  1. Chapter 2. Secularism between Scholem and Benjamin
  2. pp. 39-70
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  1. Chapter 3. Madness and the Scandal of Tradition
  2. pp. 71-90
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  1. Chapter 4. Hybrid Identities: Benjamin, Auerbach, and Orientalism
  2. pp. 91-106
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  1. Chapter 5. Violence and Biblical Tradition
  2. pp. 107-128
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  1. Chapter 6. Critical Vision, from Simulacra to Creaturely Agency
  2. pp. 129-154
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  1. Chapter 7. Identity and Survival in German Men and Women (Deutsche Mensches)
  2. pp. 155-174
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  1. Conclusion
  2. pp. 175-178
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  1. Notes
  2. pp. 179-204
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  1. Index
  2. pp. 205-210
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